Tag: Recording

Two May Songs

I wasn’t going to share these songs because there really isn’t anything interesting about either one of them Then I remembered we’re stuck in a global pandemic lock down so why the hell not.

Also, WordPress.com has released their new editor today and I need an excuse to try it out. It’s very similar to the mobile app and it’s okay so far. One small item of note so far is that I don’t see a way to switch to an HTML editor. I’m sure it’s out there somewhere.

Anyway, two songs. Neither is all that good, but they are both done. Two down and eight, maybe nine, to go.

I wonder if any of this stuff worked.

Ready to Mix

I followed up this morning’s vocal sessions with two songs worth of lead guitar.  That makes two songs ready to mix.  I should have at least one before bed time!  May music is starting to arrive, at last.

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May Music Morning

I took the Mazda and the MacBook out for a ride this morning.  We headed out to the current mobile recording studio location and put vocals on four songs.  Last night I finished the rhythm guitars on the last three songs (including three drone tracks on one 4+ minute song, meaning I played one note for 4+ minutes and then repeated it three times.  Yup, sorry everyone), and after this morning I have six songs with finished vocals.

Progress is good.

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Suck It, Jimmy Page

I just put backwards echo onto two guitar tracks in GarageBand.

By reverse echo, I don’t mean the digital signal effect that sort of makes an echo sound backward, I mean the real deal.  I mean instead of having a sound followed by an echo, I have the echo preceding the sound.

Jimmy Page claimed to have invented the technique when he used it on Led Zeppelin’s “Whole Lotta Love” (Waaaay down inside… Woman… Youuuu need… Loooooooooove)

Les Paul actually invented the technique using a couple of reel to reel tape decks.  Les Paul was a genius.  Jimmy Page was great, but he weren’t no Les Paul.

I took two tracks of guitar, reversed them, loaded them up with shit loads of echos, exported the segments to iTunes, reimported them into a new track in GarageBand and reversed them again.

Boom.

The echo comes before the sound.

Now I am going to mix that new track in with the original tracks so that it’s kind of subtle, but you can bet your sweet ass it’s there.

I love messing with backward tracks.  I just freakin’ love it.

May Music Update

Things are a little better than the last time I mentioned May Music.  When I lost a days worth of changes due to a backup snafu I didn’t lose the new lyrics.  Those were copied into my Trello card for each song.  The tracks with the melodies were gone for good so I had to come up with something new that fit the lyrics.  I was able to take care of that over the last couple of days, as well as add a couple more songs.

This morning I was able to record two songs worth of vocals.  Not much, but a good start.  Here’s where I stand overall.  Two songs have vocals and are ready for lead guitar.  Five songs have the lyrics and melodies written and are ready for vocals.  Three songs have all of the music written but need rhythm guitars.  One of those three have lyrics and a melody already.

Today is May 18th.  Plenty of time remaining.

Lost

I did some good work on May Music last night. Four songs got lyrics and melodies. When I finished I backed everything up. Today the computer crashed and I had to wipe it. I lost yesterday’s work, but I had the backup.

Nope.

The backup didn’t save correctly. Yesterday’s changes are all gone for good.

Good and Bad

I recorded some guitars today, which is good, but while I was doing it I missed a Richard Thompson live stream, which is bad.

Go to royalalberthall.com to watch the recording… I’m watching it now.

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Backward

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My new Klone pedal has been added to the May music project.  I put rhythm guitars on three songs and used my birthday-present-to-myself on all of them.  It sounds so good it’s silly.  I needed to goose the treble knob up a little higher than I do on the KTR to get a nice sweet spot, but I haven’t been able to use it on a high watt amp at volume.  It will all change when I use it for real.

I did something else with one of the songs that’s also silly… and fun… and awesome.

The rhythm part is just hit a chord and let it ring for two bars, more or less over and over.  After I finished the actual recording (double tracked, one panned left and one panned right) I added the first of two extra tracks.  First I recorded an additional take of the last eight bars of the song.  I then reversed the track.  That was a guide.  Next I muted the bass and actual guitar tracks so that all I could hear was drums and the backward guitar.  After that I used the second extra track to record myself trying to play along with the backward track.  It wasn’t easy and it came out pretty wrong, but at least I had the same chords playing on the two tracks.  One was forward and the other was backward but they more or less rang out correctly.

The last step was to delete the first of the two tracks, reverse the second track, and pan it right in the middle and unmute all the muted tracks.  Now when I play it back I have the normal parts and an additional backward part kinda playing along with each other.

It didn’t work out as I had planned it but…….

Coolest thing I’ve ever done.

One Note on Logic Pro Remote for iPhone

Normally when I work on a MIDI instrument track in GarageBand I use the Logic Pro Remote app on my iPad to access the piano keyboard/drum pads/fretboard.  Tonight I had an idea for RPMay Song #5 but my iPad is in the other room and I was too lazy to go get it.

What did I do?

I installed the app on my iPhone.  The last time I tried to do this I couldn’t find it in the App Store.  I thought that, as a new user, I would share the answer to the one question I had to look up.

When you open the app and you’re looking at the mixing board channel and you want to switch to the piano or the fretboard or whatever you need to turn the phone on its side.

Portrait mode = mixer
Landscape mode = pretty much everything else.

You’re welcome.