Rush

Rush played the Kia Forum in Los Angeles last night (or whatever the place is called these days).

I am so happy. I am so happy. I am so happy.

I said I wasn’t going to watch any clips but I am suspending that rule for this one thing. It’s the first thing that my social media algorithm madness sent my way. Pretty sure it’s the first song in the set. I haven’t watched it yet. I’ll post it here and then watch it.

I am so happy and I can’t wait for July 28th at Madison Square Garden. I cannot wait.

Fifty Something

Tonight is the night. Rush returns to the stage in glorious fashion. Weirdly, they are starting this new tour at the same venue in Los Angeles as their final show back in 2015. Back then, Neil Peart wanted to retire. The other guys did not, but they went along and that was that. Then Neil passed away and time went on and eventually Geddy Lee and Alex Lifeson started playing together for fun and eventually they brought in Anika Nilles to play drums and Loren Gold to play keyboards and now the tour is kicking off tonight.

So now, turning the attention back where it belongs… to me, we’ll be seeing the tour when it hits New York in late July. Boston wasn’t included in the initial tour announcement so we went with the closest city that was, and that was New York. I’ve seen Rush in New York a few times. If it weren’t for the fucking Yankees and the fucking Rangers and the fucking Mets and the fucking Islanders New York might be my favorite non-Boston city.

So the tour starts tonight but I still have nearly two months to wait before I can join in the fun. So what do I do? They have already stated that there will be multiple set lists so there’s a chance that even if I do get spoiled on that front there might still be surprises. I think I will try to avoid any foreknowledge though. Should I also avoid video clips online? I’ve only heard one song performed by this new lineup. They played Finding My Way at the Juno awards and it was freakin’ bliss. I don’t think I will be able to avoid all videos online, but I’ll probably try to avoid most… if I can… I don’t know.

Basically my point of view on this new Rush tour boils down to jealousy. I really wish we were in L.A. tonight. I’ve seen Rush 25 times. It would be pretty cool if 26 were tonight. I’ll happily wait my turn, but wouldn’t it be cool if around 7pm Pacific time or so… you know how it is.

Break a leg, Rush, both new members and old members.

Triumph Show Recap

Triumph’s 50th anniversary tour, the Rock and Roll Machine Reloaded. My first Triumph show in almost 40 years.

It was pretty cool. I must admit. Rik Emmett used to have the highest voice in the universe. He most definitely does not have the highest voice in the universe anymore. He’s 72 years old, that is expected. 

Back when I was in high school and playing in a cover band, two of the four band members were Triumph fans so naturally we wanted to play one of their songs. Emmett’s voice was so ridiculously high that no mere male mortal could ever pull them off. Fortunately, Triumph had two lead singers. Gil Moore, the drummer, sang lead on about half of the songs. None of the hits, mind you, but there was plenty to choose from. If we couldn’t sing the high voice songs, we could pull off the low voice songs, right?

Gil Moore’s voice was drastically deeper than Rik Emmett’s. That is a scientific fact. Unfortunately, there was some weird psycho-acoustic kind of thing going on where when you listened to the two of them singing side by side, Moore sounded like a normal range voice. However, when you removed Emmett’s voice from the equation you realized that Moore’s voice was also ridiculously high and very few mere male mortals could hit his high notes. He sounded normal in comparison but the truth was we couldn’t sing his songs either.

Now? 40 years later? Mr Moore’s voice is no longer ridiculously high. Suffice to say when either of the original band members were singing, the songs were played in lower keys and the melodies were adjusted so that the highest high notes were avoided. That’s just biology. It happens to all of us.

My issue was with the songs they didn’t sing. I was worried that with three new members on stage it was going to feel a little like a tribute band. For most of the show it did not, though watching Rik Emmett sit back and play rhythm guitar while Phil X absolutely shredded through a solo that was originally Rik’s… well that felt weird. Especially because it seems that Emmett’s guitar playing, unlike his voice, is every bit as good as it was 40 years ago. The dude was on fire all night. He just played nicely and let Phil X shine as well (not to imply that Rik’s singing wasn’t excellent, it was. It was just different, that’s all). 

When Phil X or Todd Kerns took a lead vocal though… that felt wrong. I would have an instant where my brain would think to itself, this isn’t what I signed up for, then I would get over myself and just enjoy the song. Both of them were excellent, even though they both often had to break into falsetto to hit the high notes. I’m trying to think if either of them sang an Emmett song… I’m not sure. They both song Moore songs. Huh… maybe they’ll release a live record down the road somewhere and I’ll be able to revisit it.

So there were tribute band-esque moments. Absolutely. On the whole though, it was a really fun show. No explosions on stage like the old days, but lots of cool visuals and lots of lights. 

The set list was pretty expansive too. When I saw them in 1986 that was my one complaint. There were no surprises other than not hitting the Never Surrender album at all, and leaving off a few songs that I thought would have been staples. That was not the case this time. I think every record except the crappy Surveillance album that was made after things came unglued and the 90’s attempt at a comeback, Edge of Excess, was represented. Let’s see…

Spoiler alert if you have tickets to one of the 2–3 remaining shows and don’t want to know what’s coming. Stop reading now. Otherwise…

They played Blinding Light show and one other thing from the first album. They played the Joe Walsh cover and the title song from Rock and Roll Machine. They played both of the hits from Just a Game, Lay it on the Line and Hold On. Must to my surprise, they played I Live for the Weekend, one of the two strong cuts from their not-so-good Progressions of Power record. They played the two obligatory songs from Allied Forces, Magic Power and Fight the Good Fight, as well as the title song. They played When the Lights go Down and Never Surrender from the Never Surrender album, two songs I sorely missed back in ’86. They played the two hits from Thunder Seven, Spellbound and Follow Your Heart. Side note, the video for Follow Your Heart was shot at the Providence Civic Center in Providence, RI and I’m pretty sure my future drummer, Bob from Break Even, was there. They played their biggest hit single, Somebody’s Out There from The Sport of Kings. Ironically it was the second song in the set and it was the second song in the set back in 1986. Silly, but I noticed. I’m sure I missed a song or two, but that’s most of what they played. Just don’t ask me to list them in order. 

All that’s left of note is the photos. I took my little point and shoot camera. The one Jen got me for xmas. I took it out during the opening band’s set to see how it would work and it crashed on me. It just died. I was zooming in and the lens just stopped moving and then the LCD screen when black and that was it. I kept trying to reboot but nothing I did had any effect. The camera was dead, Jim. I took a few pics with my iPhone and they came out fine. Strangely, as the show was ending I tried one more time to reboot the point and shoot and it worked. I guess 30th time was the charm? I haven’t tried to use it today to see if it will work. I’m too scared. Oh well. Here are a few iPhone pics.

Of course I took most of the pics while Rik was playing a double neck. Is that a Dave Grohl signature that Phil is playing? I think so.
Gil and Rik. The double neck only came out for Blinding Light Show
Sparks
Gil and Rik
The whole back wall was one giant video screen

And there you have it, folks. My second Triumph concert and my first in almost 40 years. It was a really fun show. All that was missing was Mike Levine and my Uncle Johnny.

40 Years Later


I went to my first real concert on October 23, 1986. I went with my Uncle. It was Triumph at the Worcester Centrum in Worcester, MA. It had been rescheduled from an earlier date… I don’t remember what the original date was. I heard that guitarist/vocalist Rik Emmett fell down a flight of stairs while getting off of a plane and screwed up his knee so they had to postpone a couple of dates while he recovered. I don’t know if that’s true or not, it’s just what I heard.

I was 15 back then and early in my sophomore year of high school. I was a big Triumph fan, but maybe not that big a fan. Certainly not as big a fan as I was of the other three-piece band from Toronto, Rush. Still, Thunder Seven, Allied Forces, and Just a Game were A-List albums in my book. Never Surrender and The Sport of Kings were both really good too. They were touring to support Sport of Kings when I saw them that night, and a couple of years later my first real band would cover a song from that record, Tears in the Rain. It often went over surprisingly well when we played it, even though the guys in the band were probably the only people in the room who were familiar with it. I wonder if anyone thought we’d written it? Probably not. It was WAY better than our handful of original tunes. I mean, WAY better.

I didn’t know it at the time but Triumph was just about reaching the point where they were falling apart. I recently read Rik Emmett’s memoir and he mentions that the first nail in the band’s coffin happened during the recording of Sport of Kings. They had planned to record a song written by an outside writer, a groovy little ballad called Just One Night. It was expected to be the album’s big single and the band had decided that drummer/vocalist Gil Moore would sing it. The guy who was originally hired to produce the record had spoken privately to Rik Emmett and said he should be singing that song instead of Moore and he wanted Emmett to break the news. Emmett did, on an airplane flying home to Toronto, and I guess Moore lost his shit (probably very politely, given that they are good Canadian boys after all) and that was the first step toward everything falling apart. It took a couple of years but eventually, in ’88, Emmett quit.

Moore and bassist/keyboardist Mike Levine eventually tired to bring it back from the dead. They hired guitarist Phil X, who these days is best known as Bon Jovi’s lead guitarist, and made one more record. I heard a song or two on the radio and it was pretty good, but not good enough to really reignite my interest. I had high hopes for Rik Emmett as a solo artist but his first record was a glossy poppy disappointment and that was that for me.

Fast forward to a few months ago and out of nowhere Triumph announced a 50th anniversary reunion tour. Rock and Roll Machine Reloaded (Rock and Roll Machine was the name of their second record in Canada and their first in the US). I think the reloaded part of the tour’s name sort of points to some lineup changes. Early on they reported to us that Mike Levine would not be playing at every show. He had a medical issue to deal with (something wrong with his hand, I think?) and he would join the band onstage whenever he felt up to it. I’m pretty sure the tour ends next week and the total number of appearances he’s made is equal to zero. That’s disappointing. 

Due to that, a second bass player, Todd Kerns, was added to the lineup. Additionally, Phil X would also join them. He wasn’t a member 50 years ago, but he was a member in the 90’s. That seems fitting. When I saw them in ’86 they did have a second guitarist on stage with them. His name was Rick… something. I forget. I do remember finding him a little annoying. Like, I wanted to see the trio. I was okay with the extra guy but maybe he could have stayed off to the side out of the way. I was an asshole. Sorry. As if two extra musicians weren’t enough, Gil Moore made it clear that he wanted to come out from behind the drums and sing a couple of songs from the front of the stage. That requires a second drummer. Brent Fitz was added. He’s a keyboard player as well so I guess he’ll also be covering some of Mike Levine’s parts.

So this Toronto trio is now a group of five or six (if Levine appears). I guess everyone sings so the vocal harmonies are going to be denser than they used to be. Also, Moore and Emmett are old now, both in their 70’s. Their vocal ranges are nowhere near what they used to be (especially Emmett, whose near-soprano days are long over) so the “new” guys are going to be singing lead on a some of the songs. That is… troubling to me. That sort of makes me fear that this is going to be a tribute band that just happens to have two original members. I don’t know how I feel about that, but I am choosing to ignore it and just enjoy having this long lost band back again.

When the tour was announced, the final show was scheduled for June 6th in Boston and it sold out instantly. I tried to get a ticket but no luck. A couple of days after they went on sale I went to ticketbastard’s site just to see how it looked and there was a show on June 4th with almost no tickets sold. Huh? I Googled and sure enough they had booked a second Boston show and somehow didn’t really announce it. I grabbed a ticket in the back. I don’t want to say a cheap seat… how about a less crushingly expensive seat. 

Now here we are on June 4th and I am psyching myself up to go experience the Rock and Roll Machine in person for the first time in almost 40 years. I’m flying solo for this one. I didn’t want to subject anyone else to the 80’s of it all. I checked the venue’s camera policy and point and shoots are acceptable, so I am totally bringing one. We’ll see how it holds up to the lighting and the distance. I expect lots of blurry, shaky messes. Doors open at 7:00 and the show is supposed to start at 8:00. The opening act is April Wine. I’ve heard of them but I don’t think I’ve ever heard a single note. I know they are another Canadian band so I expect them to be very polite and I will be equally polite as I wait for the headliner.

My Uncle passed away a long time ago. He’ll be with me in spirit though. I’ll be thinking of him. Especially if Rik plays the acoustic solo from the Thunder Seven record, Midsummer’s Daydream. Uncle Johnny was very impressed with that one.

Happy 50th anniversary to the first band I ever saw live. Here’s hoping for a good time at the old rock and roll show.


PS: I tried to find the set list from October 23, 1986. I failed. I did, however, find the set list from October 24, 1986. It is probably the same, and from what I remember it lines up.

  • Tears in the Rain
  • Somebody’s Out There
  • Allied Forces
  • Lay It on the Line
  • Midsummer’s Daydream
  • Follow Your Heart
  • Drum Solo
  • Take a Stand
  • Magic Power
  • Rock & Roll Machine
  • Guitar Solo
  • Spellbound
  • Rocky Mountain Way
  • Fight the Good Fight

If there was a difference, my show might have swapped the last two songs. I remember their Joe Walsh cover closing the encore, but maybe it closed the set and Fight the Good Fight (by far their best song… like by astronomical units) was the encore? Who can say.

Busy Busy

Today is Sunday. The last day of May, 2026. It is about quarter past 8:00am and it is 48 degrees out. It is warmer than it was for most of the day yesterday. Thanks for nothing, mother nature.

I have a home owner type project going on this weekend that is both overwhelmingly intimidating and completely kicking my ass. That’s probably why I am writing this post rather than actually working. That’s okay though. I guess. Maybe?

We are doing a long term sort of thing. At some point later this year we are going to upgrade our HVAC system. We had a guy out to do some routine maintenance on the AC unit and he told us it’s pretty much at death’s door. Shit. The upgrade is going to cost a fortune, but Massachusetts has some solid rebate and loan options if you qualify. Now in order for us to qualify we have to have some work done on the house to bring us up to code. 

One of those upgrades requires me to clear a three foot wide path around the outer walls in the cellar. Unfortunately for me, about 60% of those walls is made up of storage and closet space, all of which is full to bursting with crap. I have to clear all of that out which wouldn’t be too bad except that our cellar interior is also full of crap… well, crap, a laundry room, an office space where I do my morning exercise and my music stuff, and a living room. Basically, I have to pull everything out of storage but the only place that makes sense to move it to is already full of stuff. Shit.

The solution then is to purge. We’re going to book a visit from a junk removal service. They are going to take as much of the shit as I can pile up. Then we’re going to book a second visit and they will take the rest of the shit when I pile it up where the first load of shit was piled up. After that I just have to move furniture away from the walls. It’s going to suck to the high heavens, but it is worth it. We have all of that storage space (which was a huge selling point when we bought the house) but it’s all full. Now it will be cleared out for the most part and we can get to work filling it with new useless shit. Bonus!

So that’s my big project for this weekend. My smaller, less important project is already finished. On Friday night after work I mixed two songs. I wrote them on Monday, Memorial Day (I think the last time I wrote about them in a post here I said I wrote them on Sunday, but it was Monday). I had the bass, drums, and rhythm guitars done on Monday. I put the vocals on both songs on Thursday morning before work, and put the lead guitars down on Friday before work. Then I mixed them and uploaded them to my alonetone.com account before bed on Friday. For the first time in ages I submitted something to the RPM Challenge’s Record Every Month challenge thing. 

I accomplished something musically. That felt good. Maybe next week I can accomplish something photographically too. That would also feel good. Creativity is good for my soul, or something like that.

So Much for Grand Awakenings

What Can You Do

Okay… time to start my day and see if I can’t get some stuff done. Happy Sunday, everyone.

Not Fun and then Fun

It is 3:30pm and it is already the longest day in the history of the universe.

I went to sleep at about 10:30pm last night. Later than I would have liked, but earlier than most days over the past month or so. I woke up at about 2:15am needing to go to the bathroom. I’m old. It happens. Deal with it. When I was done I fell right back to sleep.

Then at 3:51am my phone rang. It was work. The overnight staff were dealing with a customer issue that was causing the customer a lot of stress. I knew what the issue was but I wasn’t sure how to find the process that was causing it. Fortunately the overnight guy I was on the phone with mentioned one little detail which set off a trigger in my teeny tiny little mostly still asleep brain and I knew where I had to go to set things right. By 4:15 I was off the call. I took a few minutes to write a message to all of my staff members who would be involved in the follow up during normal business hours and I went to bed. I didn’t sleep much before my alarm went off at 5:30am, but I did manage to snooze a little.

All of that was not fun. Not fun at all. It was a lot less catastrophic than it could have been, but it is never fun having work call in the middle of the night. I’m just glad I was able to help. Even though the situation was not fun, I felt pretty good about myself when it was over.

By 6:00 I was out of bed and starting the day. By 6:15 I was in the cellar starting my daily exercise. The ball was rolling. An hour later the fun part of the day was starting. Guitars, babie!

On Monday I wrote two new songs and started recording demos. Bass and drums were MIDI instruments, rhythm guitars were the real thing, the melody was sketched out on a keyboard and lyrics were written stream of consciousness style to fit the melody. Yesterday before work my laptop and I drove to an empty parking lot in town and I recorded the vocal tracks for both songs. Today before work I recorded the lead guitar parts. Normally the lead guitars are my favorite part of the song demo process but right now I am so out of playing shape that there are no calluses on my finger tips and playing for more than a few minutes hurts. The strings start to feel like razor blades, especially when you play like I do and you bend strings all over the place. Ouch.

Still, despite the pain, I was able to finish tracking both new songs. Now all I have to do is mix them so that they are somewhat listenable (relatively speaking, of course) and then they are done. A few years ago I was writing 10+ songs each month over the course of the whole year. Last year I did the RPM Challenge in February (write and record an album’s worth of music all within the month of February) and then nothing for the rest of the year. This year was starting to look the same. I finished RPM in February and then it wasn’t until Memorial Day weekend that I even thought about doing anything more. Now that I am feeling like I am back in the saddle again, or some horse shit like that (get it? Saddle? Horse shit? Oh, come on!) I am thinking about trying to write a bunch in June and then do the fifty ninety challenge over the summer (that challenge is to write 50 songs in 90 days between July 4th and October 1st). We’ll see if I can stick to that.

So on this fine Friday in May, in fact the last Friday in May, the day started off not fun, and then for a little blast of time it was fun, and then it was just the usual… right up until about an hour after lunch when the lack of sleep caught up with me and now I am completely out of gas with 93 minutes left in my work day.

It’s going to be a long afternoon.

Noodles

The electric guitar was noodled upon today. I worked out two new song ideas on my laptop and decided that even though I was grossly rusty and have no calluses at all on my finger tips, I put rhythm guitar tracks onto both songs. Four tracks on one song and two on the other.

My playing was absolute garbage but I enjoyed every second of it. Well… not counting the burning agony in the tips of the fingers on my left hand. That’s a kick in the nards, but other than that… Fun.

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Big Weekend

This has been quite the big weekend and it has very little to do with a zombie who gave up his weekend for our sins. But I digress.

Today, April 5th, is the 19th anniversary of my first date with my wife. Clearly she wasn’t my wife at the time, but it was a pretty good first date. Very successul. We celebrated by going to a matinee. We saw Projet Hail Mary again. It was my second viewing and her third. Great movie. If it is playing on an IMAX screen anywhere near us next weekend we might go see it one more time.

After the movie, Jen made a fancy easter/first-dateiversary dinner and it was wonderful. We ate at the dining room table like civilized people instead of slumming it in the living room in front of the TV like usual. It was a very nice moment.

Yesterday we had my in-laws over for a pre-easter easter dinner. Jen made lasagna. I don’t like lasagna so she made me some pasta on the side. She’s the best.

After dinner I hopped in the car and headed to Boston to see a show. Throwing Muses. It was a fantastic show. I was feeling kinda negative at first. I was feeling like I’m too old to go to shows in bars. Two songs into the Muses set though my whole universe changed. By that time I was actively trying to think of a world where I could see Throwing Muses live every day for the rest of my life. It was magic.

There was one negative though. Halfway through their set I got a nose bleed of all things. Not just any nose bleed, but a massive, gushing nose bleed. It was everywhere. I looked like I was living through a horror movie. Gore.

To summarize, it’s been a very good weekend. I’ve been nuts about my wife for 19 years now and I just keep getting nuttier and nuttier as time goes by.

Now, a few pics from the show last night.

They’re Back, Babie!

Last night was the Juno Awards ceremony. That’s the Canadian version of the Grammy’s. The show included this one ditty from this little Toronto based rock and roll combo…

They are back! For really reals, Rush is back!

Maybe an odd choice of song, but it was the first song on their first album so it was sort of fitting that the first public appearance with their two new people, Anika Nilles on drums and Loren Gold on keyboards, was that same first song… though if they were going to go with literal first songs they should have gone with their cover of Buddy Holly’s Not Fade Away, which was their first single. But I digress. Geddy Lee and Alex Lifeson on stage again. We’re going to see them in New York in a couple of months and I CAN’T FUCKING WAIT!

Musical Epic Urges

I have this weird musical urge right now and I don’t think I will be able to stop myself from trying to make it happen.

I have this urge to write a song that runs for at least 20 minutes.

  • Introduction is slow and quiet. Maybe just a cleanish electric guitar soloing over an electric piano. The intro needs to be long… very long.
  • Next we have basically a 4-5 minute uptempo, noisy rock song. Preferably in an odd time signature with shouty vocals in the chorus.
  • Another instrumental break. Change key and time signature and tempo and jam for a while. Maybe have a guitar and a sax trade off.
  • Another stand alone kind of song section. Slower, quieter, less shouty.
  • Come up with a riff. Something long and drawn out. Maybe a full eight bars without repeating anything. Start quiet and slowly but steadily get louder, just repeating the same phrase. Get louder and heavier and more intense. I’m thinking something like Whaling Song by Procol Harem. Something that just builds on itself over a long stretch of time.
  • Return to the second section. Different key maybe. Not a full repeat, but bring back the same changes and phrases in a new arrangement. Sort of like a coda section.
  • Return to the introduction but not nearly as long.

What do we think, universe? Do I suddenly have a new musical project to sink my untalented musical teeth into?

Will it run for 20 minutes?

We’ll see.