I did a little bit of work on day 27 (yesterday) but not as much as I had hoped. Spoiler alert, day 28 is way more productive.
Anyway, what did I do? I wrote lyrics and melodies (and harmonies) for two songs. That leaves me with two songs ready for vocals, three songs ready to mix, and one song that doesn’t have anything other than a couple of bass riffs. Oh yeah, and 15 songs are already done.
That’s it for day 27. Like I said, day 28 is way better. You have to wait until tomorrow to read about that though.
Jen, Bellana, and I took a train from a little South of Boston to New York on Tuesday morning. Mike the bass player took the same train on Monday. Kevin the drummer flew into New York from Arizona on Monday. Sarah and Adam, two of Bellana’s friends, came into town from somewhere to the South (sorry, I don’t recall exactly where) on Tuesday too.
Jen, Bellana, Kevin, Mike, and I met for dinner before the show and had some excellent sushi and steak. I had three pieces of salmon sashimi and it was delicious. I also stole some of Jen’s french fries because I am a stinker who enjoys getting in touch with his Irish heritage by eating all things potato based. The fries were (and I am not overstating this in the slightest) spectactular.
When dinner was wrapping up, Bellana went off to meet Sarah and Adam and we all converged on Madison Square Garden. It wasn’t until after we got inside that things started getting weird.
The tickets we bought were in section 328. Section 328 however, isn’t an actual section. I don’t know what the hell it is. I think it’s a press box of some sort. There were two rows, separated by a stairway, and the seats were folding chairs up against a sort of desk with monitor screens under a glass table with a glass partition-like thing sticking up in front of it. We would have had to look over the glass and down to our left to see the stage.
Those seats would have been fine and we would have been able to stand with no one behind us complaining. It just felt odd. The situation, however, was about to get even weirder.
Bellana and Sarah and Adam went off to find a merch table while the rest of us stayed in our press-box-ish seats. I should mention that we only had six tickets and Adam was going to sit by himself somewhere else, down in the 200 level. As the rest of us were discussing the weirdness of our seats am MSG staff member approached us. He told us he had a number of seats that had not been sold (why?) and he offered to upgrade us.
Upgrade us? The fuck? I have never even heard of someone getting a ticket upgrade at a concert before. I mean… huh? Are we interested in seats in the 100 level? Well, seven hells yes we’re interested! He handed us six tickets, four together and two a row behind, and walked away. Kevin summed it up best when he said, “did we just manifest this?” He then grabbed the guy and asked if we could get one more ticket so Adam could sit with us. That’s when Bellana and Sarah and Adam came back to join us and told us that a different staff member had approached them with upgraded tickets too! What the hell is going on here?
We tried but were unable to get seven upgraded seats, but we did manage to get six together. Adam took one of their upgrades and the rest of us sat together. Through out the whole first set there was an empty seat next to us so Adam joined us during the intermission only to have the owner of the missing seat show up during the second set. Oops. We were all standing though so we all just stayed there like nothing weird was happening.
Ticket upgrades? At a supposedly sold out arena concert? Who knew?
Okay then… how was the show?
It was fucking amazing.
It was absolutely awesome.
Geddy Lee’s bass playing was his normal level of amazing. He really sounded like someone who never stopped playing over the last 11 years. The really impressive thing was his voice though. In some of the last tours before retirement he was struggling at times. His notoriously high voice was not as high as it used to be, as is normal for human beings as they get older, and there were things that he just couldn’t do. Sure, the band adjusted the keys to steal him a few extra notes but there will still times where he sounded like he was haing a rough time. Last night though there was none of that. He has mentioned that once they seriously starting playing again he worked with a voice couch to try and recover some of his range and apparently it worked because he was in the best vocal form I’ve heard since probably the early 90’s. It was so impressive.
As for Alex Lifeson’s guitar playing, he did have some issues. I am a guitar player and he is one of my absolute guitar playing heroes so I may have been more sensitive to everything he did than the normal obsessive Rush fan would be, but I did hear some struggles. I believe he has arthritis in his hands and there were definite signs of pain. I saw him shaking his hands out in between songs a couple of times like he was trying to loosen them up a little. There were a few times where he was going in for the kill on a solo and his hands just weren’t responding and he didn’t quite get there. There were other times where he did though, and hold shit were those moments amazing. The intro to La Villa Strangiato stands out as an example where he was jaw droppingly amazing. The end of the 2112 Grand Finale too. I was in awe. Amaze Amaze Amaze. I would say that the struggles represented maybe 2–3% of the show. The rest of the time he was absofuckinglutely perfect.
As for the new folks, we’ll start with keyboardist Loren Gold. We were joking before the show that he probably doesn’t have a lot to do as Geddy is still playing quite a bit of keyboards. I think he was handing all of the sampled sounds that the whole band used to trigger throughout the show, and there were times when I heard keys playing that were not there on the studio records. That was cool. The big thing I noticed was that as Geddy was playing the keyboard solo in Subdivisions, he was playing it as well. I couldn’t hear any doubling but I could see that they were both doing the same things with their hands. Spoiler alert, I will have to pay attention to that at the next show we go to. Loren was also singing harmonies all through the show. That was really cool.
Now… for the topic everyone wants to know about, how did Anika Nilles do? Neil Peart is the greatest rock drummer the planet has ever known. Filling his role in the band is literally an impossible challenge for any drummer alive. Having said that, Anika toured with Jeff Beck. Look through Beck’s long, illustrious career and look at the drummers he worked with. Every single one of them is unbelievably incredible. She fits in with that crowd perfectly. She is absolutely equal to this challenge. Without question. She was amazing. She was astounding. She was astonishing. I need to rethink my hierarchy of the world’s greatest drummers in a post-Neil Peart world. I was pretty convinced that the top spot went to Gavin Harrison of Porcupine Tree, The Pineapple Thief, and King Crimson fame, but now? Now I am not so sure. I think my favorite parts of the entire show were the moments where she did something different than Neil. The moments where she took a piece of Rush music and made it her own. Those moments were incredible. To say I was impressed is a massive understatement.
The show was incredible. The show was amazing. The show was an absolute joy. How incredible? Incredible enough that Jen and I bought tickets to the November 1st show at Mohegan Sun casino in Connecticut. We’re also trying to see if we can work any other show dates into our schedule. It was that good.
Now for some photos…
Pre-upgrade view
Xanadu with the double necks
Alex playing Heavy Bastard
Geddy and Anika… hiding behind her cymbals
All four of them
Two things. First, the only way my camera saw Anika was when she was on the screen. Second, I forgot to put my camera into burst mode of the pyro in Far Cry so this is all I got. Sorry.
They did three tributes to Neil. This was Bravado. They also did video montages for him on Time Stand Still and The Garden. They did a little tribute to John Rutsy during Working Man as well.
Alex auctioned off the real Whitey for charity, This must be a replica.
The whole band
Lasers
Geddy playing a Gibson Thunderbird. Awesome.
Old people rock
Lasers and missed focus
The Omega Stand
No bass? No!
During Tom Sawyer, Alex was trying to make Geddy laugh so Geddy was trying to block him out
The only time I could see Anika’s face was on the video screen
And there we have it. My 26th Rush concert. The first since 2015.
To quote Rocky from Project Hail Mary, amaze amaze amaze!
With all the traveling home from New York that was going on yesterday I expected a second day in a row with no 50 songs in 90 days challenge progress. I was wrong though. Just before bed, while I was about 93% asleep, I brought up GarageBand on my iPad and noodled out a couple of very simple bass riffs. I filed them as song number 21 and then fell asleep.
We are home, safe and sound and in one piece after a great two day New York adventure. I’ll share the details eventually, but for now it’s getting late and I am tired from traveling and I want to go to sleep.
I will leave you with this. Sort of a preview for a larger post that’ll probably come tomorrow.
I had a dentist appointment that I was hoping would go a long way toward putting an end to this fucking toothache that’s been killing me for about a week. Wouldn’t you know it that as I was pulling out of the driveway they called to reschedule. The dentist called in sick. Fuck fuckity fuck fuck fuck. Now I have to wait three more days.
I don’t expect any progress from day 25 (today) or probably tomorrow (day 26). We’re leaving for New York in a couple of hours to go and see Rush at Madison Square Garden. We’re coming home tomorrow but regardless, it’s going to be a full couple of days.
What’s a good word to describe day 23… hmmm… let’s think about this.
Productive.
Successful.
Crazy.
So I am up to 20 songs. The goal, as implied by the title of the post, is 50 songs. To still be this early in the challenge and already be up to 20 songs in the works is just nuts. Of those 20 songs, 12 were already finished. Six of the remaining songs had lyrics written and the rhythm section recorded and were ready for vocals. The remaining two songs just had basic tracks, (MIDI) bass and drums. They were ready for rhythm guitar tracks.
Of those eight songs, how many of them did I work on during day 23 (yesterday)?
All of them.
First I grabbed my MacBook and hopped into the car and drove to an empty parking lot so that I could record vocals without bothering everyone in my house. Normally when I do this I shoot for working on 4-5 songs. That’s usually all I have before my voice gets really tired (I am most definitely NOT a singer) or I have to pee or something. Yesterday I made it through all six songs. Every line of lyrics that I had written was sung and recorded. Many of them twice because I sang in two part harmony. I felt really good when I packed up and drove home. I could have stopped there and called the day a success. I did not, however, stop there.
Once I was home I took some time to help my wife with some chores around the house. Eventually, before lunch, I had some free time and was able to head down cellar to my music nook and start recording guitars. I started with one of the songs that needed rhythm guitars. I figured that would be a good warm up. I am absurdly out of playing shape these days and figured I’d be smart about things. Once that was done I moved over to leads and cranked out three songs. In my current state of sucky guitar playing, recording leads wears me out quick so I planned to take a break and record the rhythm guitars on the other song that still needed them. I was going to try to follow that with the other three leads but my wife needed help with another chore and I needed lunch and also needed to go to the grocery store to get something for dinner, so I took a much longer break.
After I returned home from Market Basket with the fixin’s for dinner and a big bottle of Extra Strength Tylenol (because the toothache is still kicking my sorry ass), I was able to head back to the cellar music nook and finish off the lead guitars on those three remaining songs. So over the course of the day I put guitar tracks onto all eight remaining songs.
But wait, there’s more!
After dinner we were just hanging out in the living room watching the tube and I slipped on some headphones and mixed this song and then mixed this song. The first one is my second attempt at 5/8 time for the month. It’s okay. The second one is rare for me in that I kinda don’t hate it. It feels weird.
And that, my friends and neighbors and readers and only friends, is that. Six vocals, six lead guitars, two rhythm guitars, and two mixes. My brain was definitely ready for bed.
What’s in store for today, day 24? A Dentist appointment. Likely that will be all for the day. I don’t handle Dental visits well. I expect to be thoroughly traumatized. WOOHOO!
I had some good progress on day 22. The first thing I did was add a new song. Song number 20, to be precise. It’s in 9/8 time and it is going to suck trying to put guitars on it, but odd time signatures make me happy so… yeah. Next I took song number 19, which was just a couple of riffs, and worked out the structure and finished the fake/software/MIDI instruments (bass and drums). After that it was all about lyrics and melodies. I think I had three songs that needed lyrics and I finished them all.
That was it for day 22. That left me with six songs ready for vocals and two songs ready for rhythm guitars. On to day 23!
This post is recapping day 21, which was yesterday, but today is day 22 and I really should be in the car recording vocals but I’m just overcome with laziness right now. I’ll do it tomorrow, I promise.
Not a lot of progress on day 21. I had a lot of stuff to do before work in the morning and I had a lot of stuff to do after work too. I didn’t have dinner until after 8:30. Fortunately I was able to sneak in some work after that. I wrote the lyrics and the melody for one song (song #18). I now have three ready for vocals. I also, just before falling asleep last night, came up with a couple of bass riffs that I have labeled as song #19.
That’s all for day 21. As mentioned, I should be doing some vocal recording today on day 22 but… nah. I’ll do that tomorrow. Today I hope to write some more lyrics and write some more melodies and figure out the structure for song 19 and maybe add another new song idea (or two?) and maybe record some rhythm guitars. I think it’s time to switch from my Gibson SG to my 1978 Les Paul Custom. Yeah, it is time for a guitar swap. Having said all that, I am feeling kinda lazy right now (I’m on vacation after all) so maybe I won’t do squat today.
I’ll let you know how it goes when I recap day 22 tomorrow.
20 days down, 70 to go. It feels like it should be a big deal, but this year it really isn’t. Maybe I am ahead of my usual pace, but this time around I am not feeling day 20 stress. Weird.
I put rhythm guitars on song number 18. That was the only song that was ready for a guitar part. Everything else in the pipeline already had the rhythm guitars. I could have done more, but there was nothing left to do.
Other than that, I mixed two songs. I’m up to 12 songs finished now. I mixed this one and this one. Neither of them are terribly good (just like everything else I’ve ever written in my entire life) but they exist now and that’s the important part of this little game.
The state of the project after 20 days is:
12 songs finished.
Two songs have lyrics written and are ready for me to record vocals
Four songs have the rhythm section finished and are ready for me to write lyrics
I have songs ready to mix but I didn’t mix anything yesterday. Why not? What’s wrong with me?
Nothing.
Instead I put rhythm guitars onto two songs, wrote lyrics and melodies for two other songs, and programmed the bass and drums for a new song. I’m up to 18 now.
So I didn’t mix anything, but I still did okay for a work day. I’ll take it.
Inside the Red Head's Head 