Here’s a little reminder to myself.
I own two good pairs of (sort of) noise cancelling headphones. From this point on I must remember to use one of them when recording guitars through my amplifier. This morning I recorded all of the guitar parts for one song, playing my Les Paul through my old Fender amp (just like when I was in the band Prime Meridian, oh the memories). I literally had the volume set to 1, but I was using ear pods to listen to the playback while overdubbing and, well, the amp on 1 is much loader than the ear buds can comfortably drown out.
My ears are still ringing, but I got a couple of decent takes.
There are five songs in progress right now. I’m thinking I want to record 20. I will (probably) finish these five before starting any more. Well, finish not counting re-recording the drum parts with actual drums. I’m still on the fence about wanting to do that. Everything else though, guitars, bass, vocals, will get re-done. Three of the songs have keyboards. Those will probably stay midi, unless I want to bring in someone else to play them for real and they are way too simplistic to insult an actual keyboard player by asking for that.
I will bring the Squire P Bass I loaned to Mike the Bass Player home with me after the next band practice, assuming Mike doesn’t need it for a while, and after all the bass parts and Fender amp parts are done I will bring the Marshall home and re-do all of the guitars again using that amp. In the end I’ll have all of the rhythm parts quadruple tracked using two amps. The Smashing Pumpkins fan in me is drooling at that potential of such a layering of fuzz.