Category: Song Writing

Checking In on Day 3 – #RPM2020

I just posted this to the RPM Challenge website.  Just checking in:

It feels like I’m off to a slow start but I don’t know if that’s accurate or not.

I have this vague idea of splitting the album into two, one being my usual three piece rock band kinda thing, and the other being an acoustic guitar/hand percussion/sax/voice thing.  The acoustic stuff will probably fall by the wayside but for now it’s still on.

I’ve got two songs sketched out for the rock side and one sort of unfocused idea for the acoustic.  The rock things are okay, the acoustic thing is garbage and should really end up in the trash.

That’s it so far.  I had a gig on the 1st and I was very pleased with the way I played.  Here’s hoping that carries through the month and I nail a few decent guitar parts.

I am hoping to get everything setup in my little corner of the bedroom tonight. Two amps, two mics, and the 8 input USB interface. If I can sneak in some recording too that would be great. We’ll see.

Time to Get Ready

Today is a good day.  I got a bonus from work today.  That’s good.  I got my tax documents from work too.  By the time this posts my taxes might even already be filed because my wife is amazing.  That’s also good.  I just spent my lunch break working on a time sensitive issue and I figured it out with a minimum of stress.  That’s good too.

The RPM Challenge starts in less than nine hours.  That’s good, but I highly doubt I’ll be awake at midnight to celebrate.  We have a gig tomorrow night.  That’s good as well.  I’m not nearly as stressed as I was for the last gig and that is doubly good.

There are some things that royally suck but I am not letting them bring me down.  The triumph of authoritarianism over democracy is progressing in the US Senate right now as the republican party makes a farce out of the constitutionally mandated impeachment process.  That royally sucks.  I am beginning to think that secession is a viable option.  Brexit takes place today.  Midnight Brussels time, 11:00PM London time, That’s 6:00PM Boston time, I think.  That royally sucks too.

I’m weighing the good against the incredibly bad and choosing to ignore the fact that, in the grand scheme of things, the bad is infinitely more important than the good.  Today I am deciding that the good will outweigh the bad even though that is amazingly, shockingly naive.  Screw it, I’m going to Disney in a couple of weeks.

For now though, I have to start planning my packing for the gig tomorrow.  I need my Les Paul and my SG, my Bassbreaker 18/30 and my Vox MV50 with the 12″ cab, my full pedal board, the handful of new cables I bought (bright orange so you can see them from space), a couple of backup pedals (looking at you, Keeley D&M Drive) and power cables for each one, the microphones, stands, and cables I took home from the rehearsal room recently, the little pick/slide holding microphone stand attachment, and a new glass slide.  Then I’ll go to Mike’s house and get the rest of the mics, stands, and cables, my gig bag with all my emergency stuff in it, and the little stand I sit my amp on when we play.  Oh yeah, and I have to change the strings on both guitars!  Can’t forget about that!

Sunday after the gig I’ll put the amp and the pedal board (and the associated cables) back into my room where they currently sit (see the pic from last night), Setup a mic, stand, and cable on that amp and on the Bassbreaker 15 that is not leaving my room for the gig, then plug those into the 16 channel USB interface that I also took home from the rehearsal room recently.  I will plug the USB cable into my MacBook and make sure I can get both mic signals into GarageBand.  Once that’s done, I’ll be ready to record guitar parts in stereo.  When I record the acoustic guitar or a vocal or a saxophone I can just swing up one of the mic’s that will be on a guitar speaker and use that.  I also dug out my little acoustic guitar pickup that I got a few years ago and still haven’t taken out of the package.  I can use that to record as well.  I’ll keep the laptop and my iPad and my iPhone good and charged so if an idea comes to me I can play it into one version of GarageBand or another.  Once that’s all taken care of I just have to… you know… write a shit load of songs.  Yikes.

This year is a leap year so we get a whole extra day for the RPM shenanigans.  So really it’s no problem at all this year.

Yikes indeed!

But it’s still a good day.

 

What the Hell is a Cajon?

I can’t remember when it was, maybe about two years ago?  I was listening to a cover band podcast and one of the hosts was talking about an acoustic duo he played in.  One guy played an acoustic guitar and sang, the other was a percussionist/singer who played a cajon.  I thought to myself, what the hell is a cajon?

It’s this.  It’s a box.  There is a pad on one side of it that has wire snares built into it.  If you slap the middle of the box you get a thump.  If you slap the edge you get a snare drummish snap.

Fast forward to October 2018.  I was in Epcot Center, at the cafe outside of Soarin’.  I was sitting at a table by my lonesome and I don’t remember why.  I wonder… was this Summer 2018 and not October 2018?  Maybe.  Whatever, it doesn’t matter.  I was thinking about a songwriting challenge, either NaSoAlMo or 50/90 and I was trying to think of things that I could do to mix up my usual workflow.  I thought about arranging a couple of songs for acoustic 12-string, a cello instead of a bass, and hand percussion instead of a drum kit.  I never did it, partly because the strings function in GarageBand for iOS kinda blows, but while looking at GarageBand Percussionists in the Drummer function I found one with a cajon.

This past summer, just before another trip to Disney World, I was working on 50/90 ideas and I came back to that guitar/cello/percussion idea.  I scrapped the cello for an upright bass at first, and I declared that all hand percussion would revolve around a cajon… because why the hell not?  Then I got a really crazy idea.  Why have a bass at all?  Why not just go 12-string, percussion, and voice.  That would be way out of my comfort zone.  Then the kicker came to me.  Where I would normally play lead guitar… play saxophone.  Oh we’re just one step beyond now!

Of course I never did any of that at all.

Well now we’re three+ days away from the RPM Challenge and I’m looking for ideas again.  Due to still another Disney World trip (this is becoming a trend) I am going to be in quite the time crunch.  I thought about maybe doing half of the songs as usual, and then half as trippy instrumentals.  Last year I did 20 songs, the equivalent of two RPM albums.  Maybe this year I stick to 10 songs but make it two separate five song EP’s.  Then I thought about that damn cajon again.  How about five rock songs, five trippy instrumentals, and five acoustic songs.  The rockers would be guitar/bass/drums/voice, the trippy instrumentals would be guitar/keys/bass/drums with shit loads of sound effects, and the acoustics would be 12-string guitar/hand percussion/alto sax/voice and the percussion would center on a cajon.  Three EP’s which would let me have a complete RPM project and a complete fawm.org project (which I haven’t even considered shooting for this year).  That sounds awesome.  Super awesome.  Super epic awesome.

Granted there is zero chance of it happening.  I’m going to end up with 10 bluesy rock songs in odd time signatures arranged for a bad power trio.  Eh, that would be cool too.

Three days, 10 hours until RPM officially kicks off.

50/90 – Day 10

Two of the last three nights have been 50/90 progress free. Am I slowing down? Yeah, probably a little. Is it okay? Well, I’ve got 18 songs in the works and there are still 80 days left… so yeah, I think it’s okay.

If there is a hangup, it’s in the demo recording. I don’t want to use any amp sims at all. I want all of the guitar sounds to be my Fender Deluxe Reverb. All or nothing. I’ll probably change my mind on that eventually, but for now I’m sticking to it. That means no recording in the living room while the kids are watching tv. That’s a big deal. We’ll see how far this goes.

Most importantly, I’m still having fun.

Nerd Alert

I often make a Google Document for keeping notes on my RPM Challenge progress. Start a new idea, add it to the doc. Write some lyrics, add them to the doc. I just sometimes need something to help me keep my thoughts in order. Sometimes I use a Google Spreadsheet to keep track of which guitars I use on each song, or which amplifier patch, or beats per minute, or really anything you can think of.

Today I upped my nerd game. I created a Trello board to keep track of this year’s project. There is a list for songs that are just in the idea phase, songs that are in the recording instruments phase, songs in the vocals/lyrics phase (lyrics and melodies are always the last thing I write), and songs that are in the mixing phase. Each time I start a new idea I will add a card to the idea list. Then as I add to it I can make notes on what I did in each card, and move it between lists as it progresses.

I’m waiving my nerd flag high this year.

Note to Self

Here’s a little reminder to myself.

I own two good pairs of (sort of) noise cancelling headphones.  From this point on I must remember to use one of them when recording guitars through my amplifier.  This morning I recorded all of the guitar parts for one song, playing my Les Paul through my old Fender amp (just like when I was in the band Prime Meridian, oh the memories).  I literally had the volume set to 1, but I was using ear pods to listen to the playback while overdubbing and, well, the amp on 1 is much loader than the ear buds can comfortably drown out.

My ears are still ringing, but I got a couple of decent takes.

There are five songs in progress right now.  I’m thinking I want to record 20.  I will (probably) finish these five before starting any more.  Well, finish not counting re-recording the drum parts with actual drums.  I’m still on the fence about wanting to do that.  Everything else though, guitars, bass, vocals, will get re-done.  Three of the songs have keyboards.  Those will probably stay midi, unless I want to bring in someone else to play them for real and they are way too simplistic to insult an actual keyboard player by asking for that.

I will bring the Squire P Bass I loaned to Mike the Bass Player home with me after the next band practice, assuming Mike doesn’t need it for a while, and after all the bass parts and Fender amp parts are done I will bring the Marshall home and re-do all of the guitars again using that amp.  In the end I’ll have all of the rhythm parts quadruple tracked using two amps.  The Smashing Pumpkins fan in me is drooling at that potential of such a layering of fuzz.

New RPM on the Bandcamp Page

I uploaded the new RPM music to bandcamp. Please don’t pay for this. If you want it you can get it at my alonetone site for nuttin. If you insist on shelling out some dough, I would ask you to donate it to rpmchallenge.com.

The Last RPM Song!

That’s it kiddos, I’m done with RPM for another year! The last song has been mixed, the cover art is done and the running order is set. All I have left to do is burn a CD, print the cover, and drop it off at headquarters.

I’ll share a playlist with the final running order soon. Probably tomorrow. For now? Sleep!

13 Songs Finished

I mixed a song at lunch time today and it immediately went onto the cut list. I just don’t like it. So I am not posting it here. Then after playing karate chauffeur to the kids all evening I mixed this one. It also probably belongs on the cut list, but it isn’t so bad.