The New Wave of British Heavy Metal

The 1980’s live forever ’round these parts.

Not really, but also kind of really.

Back then we used to go to see most of the big concerts at the Worcester Centum in Worcester, MA. Most bands avoided Boston itself and went about 60 miles to the west to put on their shows at the Centrum. Partly because Boston is tough to get around in a big tractor trailer truck, but also because the only real place to play in the city at that time was the old Boston Garden and Billy Joel said it best when he said even hockey games sound terrible at the Garden.

The Centrum was smaller but easier to get around. Almost all of the big arena bands played there. The stadium bands played the old Foxborough Stadium, but the arena acts went to Worcester.

My first show ever, Triumph was at the Centrum. My first four Rush shows were there. I saw Boston there when they played six sell outs on six consecutive days. I saw the eight man version of Yes there on the Union tour. Absolutely stunning show touring an awful album. I saw a ton of great shows there.

My friends Larry and Mike saw Iron Maiden there in 1988 (I think) when they were touring the Seventh Son album. They asked me if I wanted to go, but I hadn’t caught on to the New Wave of British Heavy Metal thing yet. By the time Maiden returned in 1990 I was fully on board and we all went back to Worcester to see them.

The Worcester Centrum is now called the DCU Center but it’s still the same building. The last thing I saw there was an AHL hockey game back in… 2001? Maybe? I don’t think I’ve been back since.

That changes in November. I just bought tickets for me, Mike, and Larry to go see Iron Maiden once again. It’s going to be freakin’ epic. I saw them that time in 1990, then again on the first tour after Bruce and Adrien rejoined in (I think) 2000, though that show was in Portland, ME. I saw them again at the venue formerly known as Great Woods shortly before the pandemic hit. Was it August 2019? It might have been 2018, but I think it was 2019. And now, come November, I am going to see them yet again at the venue formerly known as the Worcester Centrum, yet again.

Bring on that New Wave of British Heavy Metal one more time, people.

Do you think they’ll play Die With Your Boots On?

I hope they play Die With Your Boots On.

I Don’t Know… I Don’t Want It

Beat…

Adrian Belew and Tony Levin were in King Crimson (the first time) from 1981 through 1984. The two of them have recruited two world class musicians to play the music from that time period once again. On drums they have Danny Carey from Tool. I am not terribly well versed in Tool’s catalog, but what I do know is good and he seems like a good choice to cover for the legendary Bill Bruford. The other new guy… I don’t know.

I should be absolutely stoked for this new band. Adrian Belew is a fantastic guitar player. He’s one of the most innovative, original musicians ever. He’s a giant. Tony Levin is literally as good as a human being can get. Whether it’s on the bass guitar or the Chapman Stick, or any other chunk of wood with strings on it, he’s as good as it gets. He’s one of, possibly THE, most talented musicians on the planet Earth at this time. I’ve seen him live twice, once just before the pandemic hit when he was playing in the last version of King Crimson, and once back in 1988 (or was it 1989?) with Yes spinoff Anderson, Bruford, Wakeman, Howe. I really wanted to see him with Peter Gabriel back in September but we went to Disney World and caught Covid-19 instead.

Belew, Levin, Carey… all people I should be salivating over the chance of seeing them live on stage together. It’s that fourth guy though…

Is Steve Vai one of the most talented guitarists in the history of wood and strings? Yes, that’s a fair statement. Is Steve Vai a musical genius? Yeah, probably. I just… I just don’t really care for his music, that’s all. To me, he’s sort of in the same boat as Joe Satriani. I heard once that he actually took lessons from Joe Satriani at one point. I saw Satriani live once. He opened for Deep Purple. There was no denying his talent. No denying he is an astonishing guitar player. Having said that though, two songs into his set I was completely bored. Enormous talent. Staggering technique. But no actual interesting music. None.

Vai played with David Lee Roth and Whitesnake back in the 80’s. His ability was jaw dropping. His actual music? I’m sorry but it was just boring. It was style over substance in the worst way. That 1981-84 period of King Crimson is very important to me. I am positive that Steve Vai is going to do amazing things with it. I am also sure that I will be bored to tears by all of it.

I honestly feel terrible that I feel this way. I should be giddy with glee over this new band. I’m not. I just can’t. It makes me sad, it really does. My sincere apologies to Misters Belew, Levin, and Carey. And to Mister Vai too. I just can’t get over my preconceptions. I am really sorry.

Random Pics from Last Night

I took a few pictures with my iPhone last night. I figure I’ll share a few of the decent-ish ones. It has been almost exactly four years since I’ve experienced live music. I knew I missed it, but I wasn’t aware of how much I missed it. I am not going to be able to wait four years before I get more. I did wear a mask through the whole show though. Some things have definitely changed over the last four years.

Anyway, random pics:

Live Music!

The last concert I attended prior to the pandemic was Letters to Cleo’s (sort of?) annual November reunion at The Paradise in Boston.

Tonight? We’re going to see Letters to Cleo again. Live music! I almost forget what it feels like. The only downside of The Paradise is there is no parking so you have to go early and hunt for one. Outside of that, tonight should be epic. Epic, like you’ve read about.

November 23, 2019. My last concert before the pandemic.

Genesis on The Midnight Special

I read a story about this earlier this morning. The old 70’s TV show The Midnight Special has a YouTube channel and they released a video of Genesis playing The Musical Box in 1973. The article mentioned that the show originally included them playing Watcher of the Skies as well but that hadn’t been released on the YouTubes. I went looking for The Musical Box at lunch today and Watcher of the Skies actually came out this morning as well.

Enjoy watching Peter Gabriel play dress up!

Figures that the camera panned up off of Steve Hackett’s hands just before he played one of Earth’s first examples of two hand tapping. Oh well.

Should I Go See Peter Gabriel?

I’ve never seen Peter Gabriel live before. Steve Hackett is the only member of Genesis I’ve seen.

Peter Gabriel is coming to Boston the day before I leave for a week long vacation in September.

I really want to go to the show. I don’t have the money but I really want to find it and go to the show but I am going away the next day.

If we can talk Steve Hackett into sitting in then I’ll 100% go, otherwise I have to think on it for a while.

Slight change of subject, have Steve Hackett and Tony Levin every played together before? That would be friggin’ amazing, with or without Peter Gabriel on the stage with them.

Booster

I am not yet quite qualified to get a Covid-19 vaccine booster shot. I have to wait a couple of weeks, I think.

I really want it. I really want it.

I want my band to get back together. The whole writing/recording demoes thing is starting to get old. I need to play loud with three friends who are playing along at a similarly loud volume.

I need a shave. I need to play live music. I need a booster shot. I need to delete Facebook. I just decided a few minutes ago that I am going to experiment with a full week away from the bookfayce. I am going to delete it from my iPhone and my iPad and close the tabs on my computers that I keep open. Hold on, give me a second… Okay, it’s off my phone and my iPad and it’s no longer open on this computer. Let’s give it seven days and see how disconnected and awful I feel. Conversely, I could say to give it seven days and see how less depressing life seems. Seven days without nazis. Well… I’m not deleting Twitter yet, so there are still nazis to piss me off.

When did this booster shot post turn into an anti-facebook post? I don’t know, but I still want the booster so… there’s that.

Okay, back to work.

Live Music

I just went to my first ever Richard Thompson concert.  It was a Facebook Live stream and it was great.  The traffic getting to the show was clear and my seats were fantastic.

He did play “Keep Your Distance” in case you are a fan and were wondering.

Gig Day To Do List

Hello and welcome to June 3, 2017.  It is gig day.  The band is playing in Plaistow again and I need to write a to-do list for myself.

  • Decide which guitar will be the #2 for the night.  It’s always been the ES-335, but tonight I am about 56% set on it being the Fender Strat.  With the exception of Tempest Fero’s first couple of appearances back in 1988, when my guitar was a very cheap Hondo strat copy, I have never played a non-Gibson guitar in front of people.  There were a couple of times when I played my friend Larry’s Epiphone, but that is still a Gibson product.  Will tonight be my first time with a Fender?  Will I take it but not use it?  I have no idea yet.
  • Restring two guitars.
  • Velcro the Tube Screamer Mini pedal to the board.  Right now it’s just sitting there, not tied down at all.  That could be a problem come show time.
  • Set everything up at home for a warm up/practice/find a way to tame the mid range nonsense in my tone session.  Possibly use my new A/B/Y switch to let me play with my Fender Deluxe Reverb and my Fender Bassbreaker amps at the same time.  I don’t expect to do that at the show, I just want to do it because it’s awesome.
  • Pack everything up, including the box of picks, the mic stand pick holding device, and the glass slide.  I don’t have any reason to play slide tonight, but the pick holding device is also a slide holding device, so I am taking it with me.
  • Take a shower.  Very important.
  • Go to Mike the Bass Player’s house and pick up the stuff I didn’t take with me after last weekend’s practice.
  • Go to the bar.
  • Unload the car and set everything up.  Will there be a Fender guitar?  I still haven’t decided.
  • Soundcheck… maybe.
  • Play the show, all three sets.
  • Pack up the gear and load it back into the car.
  • Get paid (assuming we are still getting paid).
  • Go home.
  • Unload the car.
  • Go to bed and hope to sleep for 12 hour straight, but realistically only sleep for maybe four hours.
  • Wake up tomorrow and call it a successful gig.

No problem!