Between singing in the car this morning, writing lyrics this afternoon, and playing guitar tonight, I have honestly lost track of everything I’ve done today.
It was cool though, I had an audience while I was tracking guitars. I was down cellar because I was too lazy to set up the bedroom rig that I partially cannibalized for the cellar rig and as I was playing along I noticed this big honkin’ spider hanging out at the base of the stairs, just grooving along.
It was not, as far as I could tell, from Mars.*
*If you don’t get that reference… well I don’t even know what to tell you.
I did some car music today. Five songs. I had eight ready to go and I think I could have managed one more, but the MacBook was running hot and the internal fan was freaking out and when I brought up what would have been the sixth song there were a ton of lyrics to sing and I figured I’d error on the side of caution.
I have 18 days left this month and a ton of stuff left to do. I don’t know how much time I’ll have today, but for this coming week? Guitars, car music vocals, mixing. All of it. It’s going to be like an avalanche of getting shit done.
Because if it isn’t I am going to end up being right on the cusp of finishing the challenge and I’ll still fail… and I really don’t want that to happen.
I don’t like the guitar sound in the solo at the end. Everything else is okay. I guess the melody is kinda bad too. All three stanzas of the lyrics are haikus, so I guess I score points for nerdy poetry and cultural appropriation? Okay, I’ll shut up now.
Okay, let’s see what we did today. There’s a decent amount of stuff, I just didn’t keep the best track of it all.
I added two new songs. Numbers 47 and 48. The arrangements are all set, but I didn’t have time to add any guitar tracks.
The rest of the time today was spent writing lyrics and melodies. I believe I wrote lyrics for four songs and melodies for three (one of the four lyrics already had a melody written).
I now have four songs ready to mix, six ready to sing, five ready for lyrics, two ready for rhythm guitars, and two that don’t exist yet. That plus the 31 already mixed should bring me to 50 but I am too tired to do that much math so… yeah.
Hopefully doing car music on Saturday morning. Fingers crossed.
I don’t get it. I was in so much pain yesterday. I couldn’t believe it. I couldn’t think straight. It was awful.
Today? It’s a little tender. A little sore. Not bad at all. I’m not even limping or anything. What the hell happened? Stupid foot. Stupid, stupid foot.
Anyway, 24 hours from now I expect my little quarantinie fun time to be over and history and a memory buried so deep I am not even sure it’s real. Covid-19 test at 8:09am. Freedom to roam the house without a mask approximately 15 minutes later. Kick ass, dude.
I have so much music to do in the next three weeks that I’m starting to freak out a little. Just warning you all that there might be a lot (I mean, a lot) of 50/90 music posts coming in the immediate future. Just so’s ya know. I mean, I just came up with terrible lyrics for song #40. I have three songs ready to sing. I can’t do car music until Saturday and I want to have 5-10 ready for vocal tracking by then. Yikes!
Okay, I need to fill up the cat’s food bowl, grab myself a caffeinated diet soda, and start my work day. The laundry is running already and the puddle formerly known as Lake Asshole has been cleaned up, including emptying the wet vac and the dehumidifier.
I did some playing tonight, which seems to be the routine during my little quarantine adventure. Strangely, with 45 songs in progress I currently don’t have any songs waiting on guitar parts. All 45 songs have rhythm guitars complete, and the songs that don’t have leads yet also don’t have vocals yet, and I don’t like recording leads before vocals so… I currently am not waiting on any guitars.
That is so weird.
On a gear front, Prior to our little quarantine adventure I had not been using the pedal board I use with the band, so I have not been able to try the Wampler Plexi Drive Mini at 18 volts. I like to use the Plexi Mini for noisy, distorted, rawk sounds, and I like to use some form of a Klon style pedal for boosting cleanish sounds. I also like to run the Klonish (in the bedroom recording board it’s a Ryra The Klone pedal, and on the band board it’s a Klon KTR) first so that it pushes the holy hell out of the noisier pedal that follows it. Unfortunately, when I put the Plexi Mini after the Klon or the Klon Klone and then into a low (15 watt) wattage amp I end up with a sloppy, awful, over compressed, squashed mess. In the bedroom setup I am only able to run pedals at 9 volts. On the band board I have a couple of 18 volt options and I thought that running the Plexi Mini at 18 volts* would give me enough headroom to clean things up. It worked. Mostly. The Plexi Drive at 18 volts after the signal output avalanche that is the Klon sounded a million times better than at 9 volts, but it was still a little squishy. Hmmmm… will running into a higher wattage amp fix what’s left of the problem? I bet it might. Where is my Fender Deluxe Reverb when I need it?**
*There are not many pedals that will work at 18 volts. Most are designed to run on nine volts (as in a nine volt battery) and if you give them 18 volts the circuitry will fry. The Plexi Mini works at 18. My Malaise Forever Black Lives Matter can run at 18 volts. The two overdrive pedals I own by the racist frat boy prick in California that the Black Lives Matter is based on can run at 18 volts. That’s it. Any of the rest of the crap load of pedals I own or have owned would melt down (figuratively… and literally?) if I plugged it into an 18 volt power source.
**My Fender Deluxe Reverb has been at Mike the Bass Player’s house since February of 2020. It’s still there. Waiting for me.
Triumph was the first band I ever saw in concert. I think it was early 1986 (maybe late 1985) at the Worcester Centrum. My Uncle Johnny took me. It would have been better had it been the other three piece band from Toronto, but this was pretty awesome anyway. It was only a couple of years after that show that they were gone. I thought I would be able to keep following the guitarist’s solo career but… well… it wasn’t very good, at least not at first, and he lost me. The other two guys came back after a while with a new guitar player and again… not that good. Better, but still not good enough for me. Also, the 80’s had become the 90’s by then and my tastes had changed. So maybe not bad, more like too late. Whatever.
When I listen back to them now some of it stands up. Some of it… not so much. They were a killer 70’s band that sat at the point where the 70’s morphed into the 80’s and at first they handled it, but the glossier and cheesier (and hairier) it got the less it worked. Even if it isn’t as good now as it was then, “Fight the Good Fight” is still one of the best rock songs ever written.
This documentary is made by the same team that made Rush Beyond the Lighted Stage which was fan-friggin’-tastic. My only complaint about that doc, and based on this trailer I’ll have the same complaint about this one, is the effin’ clown from the band Skid Row. I really don’t give the faintest shit about what that guy thinks about anything. Other than that… bring it on.
It’s debuting at the Toronto International Film Festival soon. This week, I think. The first showing is going to be in a drive in because of Covid and I don’t know about the rest of you, but that sounds absolutely awesome to me.
I took two of my groupings of random riff ideas and worked them both into song forms, and then added rhythm guitars. Then I added leads to the only song I had that was ready for leads.
Now I am going to exercise for 11 minutes and then I am going to go into a coma due to exhaustion.
Inside the Red Head's Head 