From Bad to Worse

I’m not a good singer.  We all know that.  I know it more than anyone because… well… it’s me, you know?

This morning I took my MacBook and a microphone and an audio interface and drove over to the mall and found a parking spot and started singing…

It wasn’t my usual bad…

It was so much worse.

So. Much. Worse.

I had six songs ready to go but I only got to five of them.  The last song was a bonus.  I only needed five more to get to the required 10.  When I finished the fifth song my battery was low, my throat hurt from yelling, my bladder was full (TMI, and not actually related to singing), and my brain was fried, so I went home.  Song #11 will probably be dropped.  Maybe.

At some point tonight I’ll start lead guitars and then I’ll start mixing and then April will be finished and it will be time to start thinking about May.

April Music Lives Again

I went three whole days without doing any work on the April Bonus RPM Challenge.  I had four songs needing lyrics and those plus two others needing vocals and leads.  I was stuck on the lyrics.  On Monday I was able to come up with a melody for song number eight but I was coming up dry for words.  Each night on Tuesday, Wednesday, and Thursday I set aside time in my schedule to try again and ended up doing something else.

That changed last night.  I finished #8 and picked off #9.  Today I did the same for #’s 10 and 11.  All the lyrics are done and I have a melody for everything.  That means tomorrow…

Singing in the car, babie!

The music is alive once more!

All Done With That

All of my April rhythm guitar parts are done, including a bonus 11th song that I started at 3:30am today when I was too pissed off at facebook to sleep.

Untitled

I wonder… if I stop taking pictures of whatever guitar I am playing every time I play, would the world go back to normal?  Is all of this my fault somehow?

Guitar Nerd Moment, or It’s a Small World

A couple of days ago I posted a picture of one of my guitars that had a caption mentioning Eric Clapton’s “woman tone”.  I don’t think I mentioned anything about why I was thinking of that.

First, Eric Clapton in the 1960’s is a tone chasing guitarist’s role model.  Give him a Gibson guitar and a Marshal amplifier and he will make sounds that, if you are smart, you’re going to want to copy.  He was innovative and experimental and inspiring.  Eric Clapton in the 1970’s and 80’s is the exact opposite.  I don’t know of anyone who has ever listened to Money and Cigarettes and said, ooh I wanna sound like that!

Anyway, when Eric was in his 20’s he was probably a little full of himself (people called him god) and sometimes he would do things that were a little over the top.  One of those things, in my book at least, was naming one of his guitar tones.  Yup.  In 1967 while playing with Cream he used a tonal technique on the Disraeli Gears album that he called “woman tone”.  Why?  I don’t know.  It was probably something that in today’s social climate would probably sound unbelievably sexist.  I don’t know why and I don’t want to know why.

Probably the best known usage is in the guitar solo from Sunshine of Your Love, which also bears a remarkable resemblance to the melody from Strangers in the Night, but I digress:

Anyway, achieving “woman tone” is pretty simple and even a chump like me can do it.  I don’t often, but every so often the spirit of Disraeli Gears will take me and I’ll use it.  A few nights ago I was sitting in my room adding lead guitar parts to a couple of RPM songs and without realizing I was going there, I totally went there.  One eight bar (or so) solo used the ol’ “woman tone”.

Today there was a “wow, what a small world” moment for me.  That Pedal Show, the youtube show that I watch pretty religiously every week and has taught me more about making my guitar sound less shitty than any other source I’ve come across in my 34 years of playing, put out a new episode called “12 Ways to User Your Guitar’s Controls”.  One of those 12 ways to uses your guitars controls was “woman tone”.

I am using a lot of quotation marks in this post, and I am using the incorrect punctuation for all of them.  Suck it, grammar!

The “woman tone” discussion starts at 13:30 and it sounds better when Mick does it on his ES-335 than when I do it on my Les Paul.

As for the rest of the episode, I had already come up with most of the two-humbucker tricks on my own back in the 80’s.  The single coil stuff doesn’t really apply to me as I only own one guitar with single coils and if it weren’t for COVID-19 I would have sold it by now.  I use the trick with using the pickup switch and the two volume knobs to go from clean to dirty all the time, and the mixing the two pickups together thing once in a while.  The kill switch?  I drive Lizardfish nuts with that whenever the opportunity arrises.

Anyway, I just thought it was funny that I recorded a little “woman tone” this week and then saw a tutorial on using it.  It’s a small world after all.

In closing, Clapton used it on the leads on this song too.  It’s not nearly as popular a song, but it’s a personal favorite.

Day 17, aka Ooops

I just posted this on the RPM Challenge website:

I recorded some rhythm guitars last night.  Nothing special, but one of the two songs I worked on is turning out to be almost kinda fun.

This morning as I’m going through my morning routine I was actually kind of humming the riff to myself.  Nice!  That never happens!

Then… wait a second… that’s not the song I worked on last night… what is it?  Oh yeah, it’s one of my February songs.

(insert annoyed sigh here)

Looks like Robbie’s written the same song twice… again.

I really don’t care.

SG

The guitar was played tonight.

After I played through one RPM song I made Tewksbury Tweets (!!!!!!!!) while listening to Cream. If you’re wondering how Eric setup his Gibson SG to get what he uber pretentiously referred to as “woman tone”, here’s the secret: