Guitar for Lunch

I spent my lunch break dicking around with my ES-335. There was a horrible buzz on the first and second strings between the 3rd and 5th frets. Bad. I played around with the action, trying to get rid of that buzz. I brought the bridge up a couple of screw turns and the problem is about 85% fixed. There is still a little buzz on the 3rd fret of both strings, but not nearly as bad as before. The 4th and 5th sound pretty good. I also checked the tuning at the 12th fret and the intonation seems to be pretty good still. I was pleased so I took a couple of faux artsy pictures.

282/365

I should also note that I have no idea what I’m doing. Is raising the bridge a little the correct way to deal with some fret buzz? I am guessing not. I probably need to play with the truss rod, but if anyone knows for sure, it’s not me. Maybe I’ll do some youtube research and see if there’s a better way.

A few weeks ago I sent a message to Gibson’s repair facility with some questions on what they can do for my poor, mistreated guitar. They never wrote back.

Music Day

The guitar was played today and recordings were made.

The Keeley D&M Drive doesn’t play with the Klon KTR as nicely as the OCD did and there’s some mushy, flubby tone on two of the songs to prove it. I’ve got it figured out though. The tone will improve. The new wah was also recorded for the first time. There were many, many takes. I screwed up many, many times.

Power Outage

The thunderstorm that tore through town today took out a bunch of trees and power lines and for the first time in the 10 years since we moved here we have an extended power outage.

So we are sitting outside in the muggy evening air and it’s kinda wonderful.

Oh, and I filled the bird feeders for the first time in a week. Just thought you should know.

Fulltone Free

The Fulltone OCD has been replaced by the Keeley D&M Drive and the Fulltone Clyde Deluxe has been replaced by the Dunlop Cry Baby.

My pedal board is Fulltone Free* and while using those two pedals that I had already owned for years prior to Fuller’s bullshit** made no difference at all to the universe as a whole, dumping them soothes my conscience and maybe it’s even the karmically correct things to do. Most important, no one is ever going to come to a bar where I’m playing and see any of that guy’s work in my gear.

I’m not doing business with some racist who thinks that storefront windows are more important than the public execution without trial of a man whose crime was allegedly passing a bad $20 bill while black, and while in his eyes my support for life and equality over business might mean I am both underserving of using his products and unable to piss standing up, I stand by my belief that his words mark him as a piece of shit and I don’t want to have anything to do with him or his company or his products ever again.

I feel better.

Fulltone free, at last.

*My little/backup/stay at home pedal board is over Mike the Bass Players house and has been since January. I understand the irony of the stay at home board not being at home, but that’s irrelevant. That board currently includes a Fulltone OCDge (complete with Fuller’s signature on it). That board still needs to be cleansed, but I promise it will be before I actually use it again. For now, it’s staying where it is until the coronavirus crisis has passed.

**I’ve written about this over and over again, but if you don’t know what I’m talking about here is a story from Guitar World, and here is another from Guitar.com.