On the Bench

Click this link and see if you can see the post…

Whitsett Guitar Works Facebook Post

That is my guitar… on the work bench… you see the old frets, you see it without any frets (yikes!), and you see it with new frets.

I’ll probably steal the photos, but I don’t know if I will be the kind of guy to share them here without permission, and I am not likely to ask permission. Whatevs, right?

The Last Pics

Forgive me for hyper-focusing on the whole guitar-in-the-shop topic, but this is just a little nerve wracking to me. It’s like sending an old friend off to the hospital with the knowledge that the old friend might never be the same again.

Are these the last photographs taken of my beloved 1978 Les Paul Custom before the neck is ripped to pieces?

Probably

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65/365
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My Baby is Going to the Doctor Tomorrow

I am scared. I am nervous. I am sure nothing will go wrong but it doesn’t matter.

My baby, aka my oldest guitar, is going to the doctor, aka a repair shop, tomorrow.

I think it needs frets. We’ll see what our friendly neighborhood Luthier says about it, but on the phone today he agreed that it probably needs frets.

Yikes!

I’ll be dropping my baby off at the doctor tomorrow at 11:30. Fingers crossed.

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I Need to Practice

I haven’t touched a guitar in 20 days. I need to carve out some time this weekend. I have been thinking about bringing my Vox AC15 amplifier to the next Lizardfish practice, whenever that is, and I need to see how loud I can get it before the tone breaks up. I know my other 15 watt amp, the Fender Bassbreaker 15, can’t get terribly loud before it distorts. I think the AC15 handles it better, but if I can’t get it loud enough to compete with a drummer while still staying clean, then I can’t use it at practice. Really, I just want to bring my Fender Deluxe Reverb home again.

Speaking of Lizardfish, Mike the Bass Player is in Cleveland today. He sent us a bunch of pictures from the Rock and Roll Hall of Fame. To quote Rock and Roll Hall of Fame member Alex Lifeson, blah blah blah. Mike sent me a picture of the BB King display. It’s awesome. Thanks, Mike!

At our last discussion, Mike said he’d be away for a couple of weeks. After that we can try to set up a rehearsal date. I really want to play. I really want to play. I’m still scared shitless of getting sick, but I really want to play.

It’s going to be a couple of weeks before the kitchen updates are finished. Once that’s all done I am going to start looking for a guitar tech to hire to work on my stuff. I’ll go with the ES-335 first. Check the frets, check the neck joint, rewire the whole friggin’ thing. Four new pots, a new jack, maybe a new pickup switch, and all new wiring. Don’t touch the pickups, they are gold and need to live forever. Everything else that lives under the covers, replace.

I’m worried about the neck joint. It’s clearly pulling away from the body, but it’s been doing that at a glacial pace for at least 22 years. I’m worried, but I’m not that worried. I am really worried about the frets. I’ve never had a guitar refretted. If they need to be replaced, is it still going to feel the same way it did before? No, clearly, but will it be so different that I will fall out of love with one of my two favorite musical instruments on Earth*? I hope not. Especially given that the frets on my other favorite musical instrument, my Les Paul Custom, are in worse shape. We’ll find out.

Right. Lunch break over. Time to read that huge email a coworker just sent me. I’ve got some back story to get filled in on.


*Technically I should say it’s one of my three favorite musical instruments. My ’78 Les Paul, my ’79 ES-335, and the Selmer Mark VII tenor saxophone I played in high school. I haven’t seen that instrument since 1989. That sucker was in bad shape when it came to me, but it was glorious. Epically glorious. I loved that horn. It was brass magic.

Les Paul Mods: A Fantasy

If I were to mod my 1978 Les Paul Custom to make it act more like a late ’50’s Les Paul Standard, this is probably what I would do.

Brandonwould 1959 clones. The question would be do I get nickel pickup covers, which would be correct for a Les Paul Standard, or gold pickup covers, which would be correct for a Les Paul Custom. Gold is more appropriate for my guitar, but they are also super expensive.

For changing out the pots and the switches and the wiring (my ES-335 needs this more than my Les Paul does, but I’m fantasizing here so leave me alone) I would get a wiring harness. The question then becomes, do I get a 50’s wiring harness or do I get a 50’s wiring harness that includes the Peter Green out-of-phase mod? I think I’d do the Peter Green thing. If so, I’d probably go with Gunstreet Wiring Shop- Les Paul Standard – 50S Out Of Phase – Wiring Harness.

Obviously I am way too much of a wuss to even daydream about installing any of this stuff myself. If I do it, I’m getting an experienced tech to do it. That goes without saying.

On a similar topic, when I bought my Les Paul in 1990 it was 12 years old and it was seriously modded already. Both of the original pickups were gone, and it had a Bigsby vibrato. The pickups bothered me. The neck was a DiMarzio which sounded nice. The bridge was a Jackson that was crap, although it had a seriously high output that I liked. I removed the Bigsby within about 10 minutes of bringing the guitar home, but it was years before I did anything about the pickups. I had always thought about trying to bring the guitar back to stock, or at least as close as I could get them. In 2006 (I think) I had Larry replace both pickups with Gibson Classic ’57s. Again, the Neck was nice but the bridge wasn’t. A few years ago I had Guitar Center swap the bridge for a Gibson Dirty Fingers reissue. Again, a really high output.

Now, after doing some research I know that the correct pickups I would need to get back to 1978 stock would be TTops. I can get clones of those too, even with the gold covers. I think I might have a good chance of getting actual 70’s TTops on ebay rather than clones, but if I am going to do this I am going for some really sweet PAF clones. Screw period correct, I want 50’s everything. I wonder how much it would cost to get the body refinished and painted gold like a 1957 Goldtop Standard. I bet that would cost a small fortune. Then again, if I wanted to be Les Paul Custom accurate I would have to paint it black, not gold. Prior to 1958 standards were gold and customs were black. Black Les Pauls look awesome, but nothing beats the old Goldtops.

Suffice to say, if I ever hit the lottery for hundreds of millions of dollars, the first thing I’m buying is a 1957 Les Paul standard. The second thing I’m buying is a 1959 sunburst Les Paul Standard. A ’57 would be insanely expensive. A ’59 would cost me pretty much all of my lottery winnings. Totally worth it though.

ADDENDUM: I tried to write about the Peter Green “out of phase mod” and typo’d it to “out of phrase mod”. I am clearly mentally defective. I fixed it though.

Guitar Maintenance Day

My Les Paul had a maintenance day. I cleaned it up a smidge and put on new strings. I also plugged in the headphone amp I got for Christmas. It really does sound like a Vox AC30. It’s such a groovy little gadget.

Every time I look at either of my 40+ year old guitars I start to think of the work they need to do and I get scared. This guitar needs fret work, and I think one of the inlays might be coming out. Yikes!

I’m also thinking of maybe changing the pick ups again. Maybe get a couple of boutique PAF clones and a 50’s style wiring harness and try to make my 70’s Les Paul feel a little more like a 50’s Les Paul. Maybe that could be my 50th birthday present to myself? Assuming we are post-Covid, of course.

Just a little fantasy.

Recording

I did some recording. I changed things up and used the Les Paul instead of the ES-335. I used the extension speaker instead of the built in speakers and I stuck to the 18 watt channel. I used the Ryra Klon clone and the Wampler Plexi Drive Mini and it wasn’t an over compressed mess the way it was last month. It sounded okay.

I put rhythm parts onto the only two songs I have going for March, and a lead part onto one of the remaining songs from the last round of re-recordings. I still have one song that needs leads but my hands were really tired and I was pretty well done so I didn’t even attempt it. That project has two songs ready to mix now.

Really looking forward to getting my mitts on that little attenuator. It is cheap and overly simple but when I used one with my Deluxe Reverb it worked really well. Hoping for similar results this time. I really want to make that 30 watt channel happen. Fingers emphatically crossed.

Junior

I’ve been playing a Gibson Les Paul Custom since 1990.

Before that I played a Gibson Les Paul Deluxe (before it was stolen and my heart was crushed).

I’ve never said this before…
I’ve never thought this before…
I never dreamed this before but…
but…

I think I want a Gibson Les Paul Junior.

Partly because a vintage Junior is cheaper than a vintage Standard and my chances of actually owning something from the 1950’s is a lot higher.. but even just in terms of the current models…

I think I want a Gibson Les Paul Junior.