I found the receipt from the purchase of my Les Paul Custom on March 3, 1991.
It would likely fetch a tad more money today than it did then.

I found the receipt from the purchase of my Les Paul Custom on March 3, 1991.
It would likely fetch a tad more money today than it did then.
I am still planning on getting my old Les Paul, the 1978 Custom, some work. As in possibly a complete makeover.
When I do, I am absolutely doing this:
Add in a couple of 50’s PAF clones for pickups and some new frets (if necessary) and it’s going to be a brand new baby. After that I get the new Les Paul done in the same way and I end up with two spanky guitars. Oh yeah, then there’s the ES-335 and the SG to consider too.
Sorry… nerding out in a major way right now. I’ve been watching all sorts of Les Paul videos on YouTube while I try to finish my exercise for the day. I’m almost done. Maybe one more video. Let’s go.
The YouTube file wouldn’t embed on my first try. I tried a second time, but if it still doesn’t work you can click here to see what all the fuss is about.
Prior to the 50th birthday super gift, a new Les Paul Standard 50s, I was thinking about the future, post Covid and post college bills, where I was going to modify the shit out of my ’78 Les Paul Custom. I was going to go full blown boutique, cork sniffing snob on it. I was going to find the best sounding clones of original Gibson PAFs possible and put them in, and replace the wiring with a 50’s style harness and basically try and make my Custom as 1950’s-ish as possible.
Now that I have the shiny, wonderful new Standard, I’ve changed my plans to updating the holy hell out of the Standard and leave the Custom alone (except for the frets… and maybe the wiring harness). The question then is, do I try to turn my guitar into a modern knock off of a Les Paul from the late 50’s, or do I go for a modern knock off of Peter Green’s Les Paul?
I don’t know. What if I go for Peter Green and decided I don’t like the out of phase stuff? boutique, cork sniffing pick ups are expensive. I don’t want to have to play this game twice.
So we’re being goofy on the youtubes today, checking out some pick ups. I am going to say without a doubt that I will not be buying a set of Monty’s Guitars Bethnal Green PAFs. Partly because they don’t seem to be available yet, and also partly because the website makes me think they won’t be available in the US. That’s okay though. Let’s file this under research and Gear Acquisition Syndrome and just being a totally unabashed guitar nerd.
ADDENDUM: So I wrote the post while watching the video for the first time. After I published the video mentioned that you can buy them from Andertons if you’re in the US, and it’s not that they aren’t available yet, it’s that they are making them in small quantities and running out.
I’ve been playing a Gibson Les Paul Custom since 1990.
Before that I played a Gibson Les Paul Deluxe (before it was stolen and my heart was crushed).
I’ve never said this before…
I’ve never thought this before…
I never dreamed this before but…
but…
I think I want a Gibson Les Paul Junior.
Partly because a vintage Junior is cheaper than a vintage Standard and my chances of actually owning something from the 1950’s is a lot higher.. but even just in terms of the current models…
I think I want a Gibson Les Paul Junior.
After all the fun I had with the serial number on my Strat yesterday, I figured I’d try Googling about serial numbers on Gibson Les Pauls. I learned a couple of things, but most of what I found I already knew.
It was just a few years prior to my guitar’s creation that Gibson switched to the eight digit serial number format. I knew that the first digit and the fifth digit combine to form the year. That’s how I figured out my guitar was from 1978. I also knew that the other six digits represented the rest of the date and the production count for that day. I didn’t quite know how though.
The pattern is this: YDDDYRRR
YY is year
DDD is the day of the year
RRR is the counter.
From that, with a little Googling to figure out what day the date counter corresponded to, I learned that my guitar was made on September 18, 1978.
So what does the counter mean? It turns out that three digit counter is actually two counters in one. Numbers between 1 and 499 are for guitars made in the old Kalamazoo, MI factory while numbers from 500 to 999 are for guitars made in Nashville, TN. The actual number represents the number that was stamped that day. So a guitar stamped with 123 was the 123rd guitar to have it’s serial number stamped on that day in Kalamazoo, where the number 623 would be the 123rd guitar to have it’s serial number stamped on that day in Nashville.
My guitar was made in Nashville. I never knew that. It doesn’t matter even the tiniest bit, but somehow that little fact made this whole pursuit worthwhile.
The only other outstanding question for me is, what kind of pickups did it have when it left the factory? I bought the guitar in 1990 and neither of the pickups were stock. In 2006 (I think), in an attempt to make the guitar sound more like a stock Les Paul, I had Larry install a set of Gibson Classic ’57’s. Gibson was marketing those pickups as being close to the original PAF pickups that were first added to Les Pauls in 1957. (PAF stands for Patent Applied For, and they were Gibson’s first humbuckers. Prior to that Les Pauls had single coil P90 pickups). It turned out that I didn’t really like the sound of the Classic ’57 in the bridge position and a few years ago I had a tech at Guitar Center swap it out for a Gibson Dirty Fingers. I was familiar with those because they came stock in my ES-335 Pro and I love them.
But that doesn’t answer the question… what did my Les Paul originally come with? I Googled that too and was pretty surprised to find that there is almost no definitive information online. I did find a couple of forum posts though that said a 1978 Les Paul Custom would have come with what Gibson called “Original Humbuckers” which unfortunately is a name that they’ve used for a few different models of pickups. To the general public though, the pickups in my guitar would have been known as T-Tops.
I don’t know anything about them except that some people like them and some people don’t, and lots of people were swapping them out for non-Gibson models anyway. The two pickups in the guitar when I bought it were perfect examples of that.
So now I have to dig into T-Tops and see if I can score some on ebay. Insert maniacal laughter here.
Bibliography:
I don’t know why, but for some reason whenever I do one of these music challenges I pick one electric guitar and use it exclusively. In November I used my Les Paul, so this month was going to be all ES 335.
Until this morning. Songs 1 and 2 are all acoustic so far. Song 3 is the 335. I worked on 4 and 5 today, but I used the Les Paul. Weird, huh?*
*I warned you there would be a lot of lame posts this month.
@gibsonguitar posted this today:
Who has a pretty guitar to show us? (Tell us the model and year, too.) Got the #retweetfever!
— Gibson Guitar (@gibsonguitar) October 22, 2013
No one retweeted me. Probably because all humans suck. (not you guys though, you’re all okay)
There was a run on this picture on Flickr today, for some reason. This will probably go down in history as my last gig. It was Break Even’s reunion, put on by Steve the guitar player. Tim the guitar player, who Steve and I replaced, came back for the fun. All three of us played Les Pauls. Mine is the custom with the black pick guard on the left. Tim’s is the Black one leaning on the amp. Steve’s is the standard with the white pick guard and the awesome trapezoid inlays on the right.