Not Fun and then Fun

It is 3:30pm and it is already the longest day in the history of the universe.

I went to sleep at about 10:30pm last night. Later than I would have liked, but earlier than most days over the past month or so. I woke up at about 2:15am needing to go to the bathroom. I’m old. It happens. Deal with it. When I was done I fell right back to sleep.

Then at 3:51am my phone rang. It was work. The overnight staff were dealing with a customer issue that was causing the customer a lot of stress. I knew what the issue was but I wasn’t sure how to find the process that was causing it. Fortunately the overnight guy I was on the phone with mentioned one little detail which set off a trigger in my teeny tiny little mostly still asleep brain and I knew where I had to go to set things right. By 4:15 I was off the call. I took a few minutes to write a message to all of my staff members who would be involved in the follow up during normal business hours and I went to bed. I didn’t sleep much before my alarm went off at 5:30am, but I did manage to snooze a little.

All of that was not fun. Not fun at all. It was a lot less catastrophic than it could have been, but it is never fun having work call in the middle of the night. I’m just glad I was able to help. Even though the situation was not fun, I felt pretty good about myself when it was over.

By 6:00 I was out of bed and starting the day. By 6:15 I was in the cellar starting my daily exercise. The ball was rolling. An hour later the fun part of the day was starting. Guitars, babie!

On Monday I wrote two new songs and started recording demos. Bass and drums were MIDI instruments, rhythm guitars were the real thing, the melody was sketched out on a keyboard and lyrics were written stream of consciousness style to fit the melody. Yesterday before work my laptop and I drove to an empty parking lot in town and I recorded the vocal tracks for both songs. Today before work I recorded the lead guitar parts. Normally the lead guitars are my favorite part of the song demo process but right now I am so out of playing shape that there are no calluses on my finger tips and playing for more than a few minutes hurts. The strings start to feel like razor blades, especially when you play like I do and you bend strings all over the place. Ouch.

Still, despite the pain, I was able to finish tracking both new songs. Now all I have to do is mix them so that they are somewhat listenable (relatively speaking, of course) and then they are done. A few years ago I was writing 10+ songs each month over the course of the whole year. Last year I did the RPM Challenge in February (write and record an album’s worth of music all within the month of February) and then nothing for the rest of the year. This year was starting to look the same. I finished RPM in February and then it wasn’t until Memorial Day weekend that I even thought about doing anything more. Now that I am feeling like I am back in the saddle again, or some horse shit like that (get it? Saddle? Horse shit? Oh, come on!) I am thinking about trying to write a bunch in June and then do the fifty ninety challenge over the summer (that challenge is to write 50 songs in 90 days between July 4th and October 1st). We’ll see if I can stick to that.

So on this fine Friday in May, in fact the last Friday in May, the day started off not fun, and then for a little blast of time it was fun, and then it was just the usual… right up until about an hour after lunch when the lack of sleep caught up with me and now I am completely out of gas with 93 minutes left in my work day.

It’s going to be a long afternoon.

Noodles

The electric guitar was noodled upon today. I worked out two new song ideas on my laptop and decided that even though I was grossly rusty and have no calluses at all on my finger tips, I put rhythm guitar tracks onto both songs. Four tracks on one song and two on the other.

My playing was absolute garbage but I enjoyed every second of it. Well… not counting the burning agony in the tips of the fingers on my left hand. That’s a kick in the nards, but other than that… Fun.

DSCF0046
DSCF0048
DSCF0049
DSCF0050

Was That Greeny?

I posted the video of Rush playing at the Juno Awards Ceremony the other night. Being the guitar nerd that I am, while 99% of me was consumed with bliss over seeing Rush again, 1% of me was noticing that Alex Lifeson was playing a Les Paul that I don’t think I’ve ever seen him with before.

It looked like a vintage burst. Something made between 1958 and 1960. It was faded from sunburst to yellow the way a lot of ‘58’s and ‘59’s are. I assumed it was the real deal, but I don’t think I’ve ever seen Alex play a real burst before. I know Geddy Lee owns (owned?) one, but Alex usually plays newer models. Even back in the 70’s, before vintage Les Pauls became too enormously expensive, he played 70’s models.

So as I was watching the video I was wondering whether the guitar was a reissue or the real thing. There was something about it though… something familiar…

Holy shit, was he playing Greeny? Possibly the most famous of all Les Pauls? Arguably the finest example of the finest electric guitars ever made? Was he playing Peter Green’s Les Paul? The one Peter Green played in Fleetwood Mac and sold to Gary Moore for whatever Gary happend to have in his wallet at the time? The one that Moore sold to pay medical bills (at least that’s what I heard) and then years later a collector sold to Kirk Hammett of Metallica? The one with the out of phase neck pick up that inspired guitarists world ‘round to install their neck pick ups upside down to try to replicate?

Gary Moore, Peter Green, Kirk Hammett, all playing Greeny

So was Alex Lifeson playing Greeny?

I can’t find a good picture of the spots near the bridge pick up where the paint is warn away, but you can see it in some of the low res pics I’ve seen and in the video. The worn spots are there. You can see in these pics that it has the mismatched knobs and the neck pickup is upside down. The visual things are there.

The question then is, is this the real guitar or is it a replica? If it is a replica the question then is, is it the $50,000 replica that Gibson released in a very limited run a few years ago, or is it the $20,000 version that they released in a slightly less limited run, or is it the mass produced Gibson USA version that sold for… I can’t remember… was it $6,000? $8,000? Something like that.

There are stories out there reporting Alex and Kirk Hammett hanging out together. I know Kirk is a fan of Alex and Rush and I think I’ve read that Alex is a fan of Kirk and Metallica (I know I’ve read about Geddy Lee being a Metallica fan).

I hope it’s the real thing. My guitar nerd brain also hopes that Hammett sells it to Lifeson and he takes it on the road with him and I get to see him play it when we see Rush in New York in July. That would be awesome. If I had to guess though… it’s probably a reissue.

I hope it’s the real thing though. That would be so cool.

Pedal Board

I did a little work on my band pedal board. Specifically, this is the pedal board that I usually keep at my band’s rehearsal space… even though the band kinda doesn’t exist anymore… and I don’t know what the future holds. Whatever.

I replaced the vibe pedal and the analog delay and both of the overdrive pedals and the wah pedal. I also added the little compressor. If only I could have replaced the dust. This thing sat out for a really long time.

I also went out and ran some more errands earlier. Another obligatory look at the downtown clock.

And that is my Sunday so far, as of about 2:30pm. What else will the day hold? Well, I’m heading over to the Apple Store to pay a little homage. Dig it.

Musical Epic Urges

I have this weird musical urge right now and I don’t think I will be able to stop myself from trying to make it happen.

I have this urge to write a song that runs for at least 20 minutes.

  • Introduction is slow and quiet. Maybe just a cleanish electric guitar soloing over an electric piano. The intro needs to be long… very long.
  • Next we have basically a 4-5 minute uptempo, noisy rock song. Preferably in an odd time signature with shouty vocals in the chorus.
  • Another instrumental break. Change key and time signature and tempo and jam for a while. Maybe have a guitar and a sax trade off.
  • Another stand alone kind of song section. Slower, quieter, less shouty.
  • Come up with a riff. Something long and drawn out. Maybe a full eight bars without repeating anything. Start quiet and slowly but steadily get louder, just repeating the same phrase. Get louder and heavier and more intense. I’m thinking something like Whaling Song by Procol Harem. Something that just builds on itself over a long stretch of time.
  • Return to the second section. Different key maybe. Not a full repeat, but bring back the same changes and phrases in a new arrangement. Sort of like a coda section.
  • Return to the introduction but not nearly as long.

What do we think, universe? Do I suddenly have a new musical project to sink my untalented musical teeth into?

Will it run for 20 minutes?

We’ll see.

2026 RPM Challenge Day 28/28

Done. Finished. Complete. Success. 15 years in a row, babie. Every year since 2012 has seen me successfully complete the RPM Challenge (and the FAWM too).

The album is called The Great American Road trip because it was mixed during the great american road trip. Duh. The official home is my alonetone page, right here. The unofficial home is on my hearthis.at page which only exists because it plays nicely with wordpress.com.

I ended up with 16 songs and dropped six of them from the final project. My overall reaction to this year’s batch of new songs is… meh. I don’t care. That’s not the point of this thing. They didn’t exist and now they do and that is a good thing, even if the songs themselves are not good things. Dig it?

2026 RPM Challenge Day 27/28

We are home from our week long epic road trip. I was expecting to get home tomorrow but we made it back a little early.

I mixed one song today. I’m not sharing it because it is terrible and I should have left it unfinished. That leaves me with one song left to mix, then I have to pick the running order and make some cover art and then I’m done.

I would do more tonight but I am utterly exhausted and I want to flake a little before I fall asleep.

I’ll wrap all of this stuff up tomorrow.

2026 RPM Challenge Day 26/28

As I sit in a hotel room somewhere between Fredericksburg, VA and Washington, DC I managed to mix one song. That’s it for today. There are still two more to go and I could probably squeeze one more in but I’m really tired and I want to watch Starfleet Academy before I conk out.

I was expecting to hate this song. I am scraping the bottom of the barrel now and I thought this would be unbearably awful. It’s better than I expected though. Let’s say it is bearably awful.

2026 RPM Challenge Day 25/28

The RPM Challenge asks for 10 songs or 35 minutes of music. FAWM asks for 14 songs.

With two songs mixed tonight while sitting in a hotel room near Knoxville, Tennessee I am up to 13 songs finished with three more still left to mix and three days left to finish. I think we’re going to have another success this year, don’t you?

2026 RPM Challenge Day 24/28

Today was the day I had scheduled for the big mixing push. My wife and I are on an epic road trip, the basis for which is her job. She had to work today and I was planning to spend the day sitting in a hotel room with my MacBook mixing songs in GarageBand.

It didn’t come out quite as planned as her meeting ended at 1:00pm and not 5:00pm and as soon as she was free we hit the road to Tennessee and Arkansas. I did, however, manage to mix six songs today. Speed mixing is not conducive to great music, but it gets the job done for me.

I was going to post all six songs but that would be silly so here’s one…

What the hell, here’s another one too…