Tag: Guitar Gear

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I feel gross using the facebook/instagram owned twitter alternative app, Threads. Really gross. 

That isn’t quite enough to stop me right now though. I am such a social media hypocrite/whore.

Anyway, someone asked, “what are your guitar goals for 2024” or something along those lines. I responded with a few. I figured I would port the response over to this post and maybe add a thing or two because I ran out of characters on the app. First, does the embed code work? I tried just sharing a link the other day to see if that pulled anything in, but it didn’t. I found that each post includes some embedding HTML code. Betcha a dollar it doesn’t work…

Post by @reallytallredhead
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Based on the preview function in the editor, it didn’t work. Oh well. Here’s the text I wrote:

I want my cover band to finally get back together after a covid-hiatus and an exiting singer.

I want to write a shit ton of songs, record listenable demoes of all of them, and maybe have one or two that don’t objectively suck.

I want to play a bar gig for the first time since Feb 1, 2020.

After getting my 1978 Les Paul refretted a couple of months ago, I want to do the same with my 1979 ES-335 along with maybe getting a new wiring harness so that all four of my guitars will be in gig shape.

Me: https://www.threads.net/@reallytallredhead/post/C1ch8b9LyTx

Yes, kids… I just quoted myself. I dun did that.

Anyway, there are a couple of things to add.

I want to replace all of my guitar straps with heavy, leather straps like the one I have on my 50th birthday present Les Paul Standard. I have amazon shipping one for my Les Paul Custom and it should arrive tomorrow.

I want to buy either a Gibson Les Paul Junior, a Gibson Firebird, a Gibson Les Paul Standard with P-90 pickups instead of humbuckers, or a Gibson Les Paul Deluxe. The order I wrote them is from most wanted to least most wanted. The chances of me buying any of these is about 0.0000001%… so there’s a chance.

With all of these goals in mind, mostly I would just settle for playing more. That’s what I really want to do.

Two Rush Items to Note

I have two things I want to comment on that refer to members of Rush.

First, I watched the second episode of Are Bass Players Human Too this morning before work. It focused on Robert Trujillo of Metallica. I knew nothing about this guy as I’m not much of a metal fan, never mind a Metallica fan. I saw them in 1989 when Jason Newsted was their bass player. I guess Robert Trujillo played for Ozzy Osbourne back in the 90’s. I saw Ozzy in the 90’s but Geezer Butler was playing bass at that time. I guess I sort of missed him twice then? Not really.

Anyway, Robert Trujillo is the current owner of Jaco Pastorius’ Fender Jazz bass. The one he ripped the frets out of to turn it into a fretless bass (but what did he put into the gaps? How did that work?). Watching Geddy Lee play Jaco’s bass, even if just for a few seconds, was something that I did not realize I needed in my life. It was a quietly magical moment.

On a side note, Metallica’s bass player owns Jaco Pastorius’ bass, which to many is the holy grail of electric bass guitars, and Metallica’s guitar player, Kirk Hammett, owns Peter Green/Gary Moore’s 1959 Gibson Les Paul Standard, which to many (including me*) is the holy grail of electric guitars. How did that happen? Does Metallica’s drummer own Keith Moon’s kit or anything? That would be too weird for my tiny brain to process.

Anyway, on to Alex Lifeson. I mentioned yesterday that Lerxst has released an overdrive pedal. It’s called By Tor. The first write up I read said that it had two channels that shared drive and tone controls. I don’t think that’s the case. I think one channel is just a volume boost and only has a level control. The other channel is an overdrive which has level, gain, and tone controls. That makes more sense.

Check out this demo from (the youtube legend) Andy from Reverb. I started watching this last night but had to shut it off before I finished. I’m posting it here so that I won’t forget to watch the rest of it later tonight.

*Peter Green’s Les Paul is probably my definition of The Guitar Holy Grail. The only guitar that might challenge for that tile would be Eric Clapton’s 1960 Les Paul Standard that is generally known as The Beano Burst. It was stolen in 1966 and has never resurfaced. I’m sure it’s out there somewhere, but unless some collector gives it back to Clapton we will probably never see it again. The reason it might not supersede Greeny is simply that I prefer the spec of a 1959 Les Paul Standard to the spec of a 1960. The neck is supposed to be thicker on 1959’s. By that logic I would probably prefer 1958’s to 1959’s as the neck is supposed to be even thicker on 1958’s. How’s that for cork sniffing? A little too much, maybe? Nope. It’s never too much.

By-Tor Overdrive Pedal

After announcing two new amplifiers made in partnership with Mojotone and sold under the name Lerxst, Alex Lifeson unveiled an overdrive pedal today, again made by Lerxst/Mojotone, called the By-Tor.

It’s a duel pedal with an overdrive and a boost. You can select the order they run in, which is a nice feature. The two channels share drive and tone controls though. I’m not sure how that works. Also, the price is $300 which is a little too ouchie for me these days. The $2k+ Omega is crazy expensive but about normal for a 50 watt tube head. $300 for a drive/boost feels a smidge high to me.

I Forgot My Amp Did That

So all of this early morning guitar recording has been with the guitar plugged directly into my USB audio interface. No microphones are being used because no speakers are being used. It’s a fully headphone setup.

I have been running the guitar through an amplifier though. My little Vox MV50 has a direct output on the back that includes cabinet simulation. Normally when you use a line out of an amplifier it sounds dog-shit awful. Not long ago the idea of digitally simulating a speaker cabinet and sticking it onto your line out signal has become a very helpful thing. There are all sorts of digital modeling amplifiers that do it now. Some are big rack mount devices, some are as small as foot pedals. My little Vox amp is an attempt at a tube amp in a pedal sized box. It uses Nutubes, which is something Korg came up with a few years ago as an alternative to normal vacuum tubes. They work off the same principals but they are extremely low powered. I think they sound okay in the amp’s pre-amp stage, but the power stage is still solid state so it doesn’t really feel like a tube amp. It sounds good enough to use, but it’s not really the same.

Wouldn’t it be nice to have an actual tube amp with a line out that has a cabinet simulation? Wait a second… I think I actually have one of those! My Fender Bassbreaker 15 is a fully tube amp with exactly that kind of output on the back of the box. Why am I using the Nutube thing when I could be using the real sucker instead? Today I plugged it in and took the Fender’s cabinet sim for a spin. I think the Vox might sound better. I want to mess with it some more, but it doesn’t sound terribly good. It’s probably usable, but it’s a lateral move at best, if not a step backward. We’ll see.

I had completely forgotten about this, but when I first got the Bassbreaker amp I used the line out quite a bit for recording. When I got the Vox I used both of the amps in line out mode together for a two amp setup on an RPM Challenge. I think it was 2015 or 2016. It worked okay then. Maybe the thing to do going forward is split the signal to both amps and run with a two amp set up again. That could be fun. I mean, if I am stuck going direct again, maybe that’s something to keep things interesting. We’ll see. Next time I record rhythm guitars (tomorrow, I hope) I’ll use the Fender. Next time after that I might use them both. We’ll see.

Waiting List – Getting Closer

The guitar gear geek in me is starting to get a little stoked.

On March 9th, eight days ago, I checked the Analog Man King of Tone waiting list. It said as of March 1st they were taking orders from people who added themselves to the list on February 19, 2018.

I added myself to the list on March 4, 2018.

The site now says as of March 15th they are taking orders from people who added themselves to the list on February 25, 2018. In 15 calendar days, the list has moved six waiting list days. I should probably be bummed out by that discrepancy, but it means they are taking orders from people who added themselves just one week before I did.

If they keep progressing consistently (and there is no reason to expect that they will, I understand) I might be hearing from them in a few weeks.

Yeah, I am getting a little gear-nerd excited here.

Waiting List – Getting Close

This post is for guitar players who are in the know about guitar gear.

I added myself to the Analogman King of Tone waiting list on March 4, 2018. Five years and five days ago.

This is what is on the waiting list webpage right now:

Based on that, I should be coming to the top of the list in the next couple of weeks. Assuming they don’t have new supply chain issues or anything. I want to order a new Marshall Bluesbreaker pedal, but if I am going to have a chance to buy a new King of Tone at roughly the same time? I think I’ll hold out for the King of Tone. I mean, I’ve been waiting for five years so… yeah.

Random Photo Thoughts

I haven’t shown Bertha the Houseplant lately. We had to get rid of almost all of the plants because we weren’t sure if they would harm the new cats or not. We had to move Bertha to the top of a cabinet in the dining room. She’s not getting nearly as much sun as she was before but she seems to be hanging in there and staying healthy. I saw evidence of a new branch a week or so ago. I took a picture today that I can reference back to the next time I check on her to see if she’s still growing.

184/365

After last night’s post where I spit balled a new guitar pedal chain, I put together as close to that board as I could.

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The Bonamassa signature Crybaby is at Mike the Bass Player’s house. This is the Gary Clark, Jr signature Crybaby which is really good, but not quite as good. I looked into ordering a Marshall Bluesbreaker reissue pedal last night. Everywhere I generally shop from is out of stock so I didn’t order one. The Blooze Maker is a copy of the original Bluesbreaker. I used the holy hell out of it on this year’s RPM Challenge. It’s super noisy so I kinda don’t want to keep using it, but until I get a real Bluesbreaker, this will be a thing.

The office has two candles burning again. Just ’cause.

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Finally, in closing:

Robin…

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…and Lily.

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