More Serial Number Fun

After all the fun I had with the serial number on my Strat yesterday, I figured I’d try Googling about serial numbers on Gibson Les Pauls.  I learned a couple of things, but most of what I found I already knew.

It was just a few years prior to my guitar’s creation that Gibson switched to the eight digit serial number format.  I knew that the first digit and the fifth digit combine to form the year.  That’s how I figured out my guitar was from 1978.  I also knew that the other six digits represented the rest of the date and the production count for that day.  I didn’t quite know how though.

The pattern is this: YDDDYRRR

YY is year
DDD is the day of the year
RRR is the counter.

From that, with a little Googling to figure out what day the date counter corresponded to, I learned that my guitar was made on September 18, 1978.

So what does the counter mean?  It turns out that three digit counter is actually two counters in one.  Numbers between 1 and 499 are for guitars made in the old Kalamazoo, MI factory while numbers from 500 to 999 are for guitars made in Nashville, TN.  The actual number represents the number that was stamped that day.  So a guitar stamped with 123 was the 123rd guitar to have it’s serial number stamped on that day in Kalamazoo, where the number 623 would be the 123rd guitar to have it’s serial number stamped on that day in Nashville.

My guitar was made in Nashville.  I never knew that.  It doesn’t matter even the tiniest bit, but somehow that little fact made this whole pursuit worthwhile.

The only other outstanding question for me is, what kind of pickups did it have when it left the factory?  I bought the guitar in 1990 and neither of the pickups were stock.  In 2006 (I think), in an attempt to make the guitar sound more like a stock Les Paul, I had Larry install a set of Gibson Classic ’57’s.  Gibson was marketing those pickups as being close to the original PAF pickups that were first added to Les Pauls in 1957.  (PAF stands for Patent Applied For, and they were Gibson’s first humbuckers.  Prior to that Les Pauls had single coil P90 pickups).  It turned out that I didn’t really like the sound of the Classic ’57 in the bridge position and a few years ago I had a tech at Guitar Center swap it out for a Gibson Dirty Fingers.  I was familiar with those because they came stock in my ES-335 Pro and I love them.

But that doesn’t answer the question… what did my Les Paul originally come with?  I Googled that too and was pretty surprised to find that there is almost no definitive information online.  I did find a couple of forum posts though that said a 1978 Les Paul Custom would have come with what Gibson called “Original Humbuckers” which unfortunately is a name that they’ve used for a few different models of pickups.  To the general public though, the pickups in my guitar would have been known as T-Tops.

I don’t know anything about them except that some people like them and some people don’t, and lots of people were swapping them out for non-Gibson models anyway.  The two pickups in the guitar when I bought it were perfect examples of that.

So now I have to dig into T-Tops and see if I can score some on ebay.  Insert maniacal laughter here.

 

Bibliography:

Six Days, Far Away

I put my Les Paul in the shop six days ago. I miss that little sucker. I hope it’s being treated well, and I hope it’s behaving like a good 38 year old guitar.

Hopefully the estimate of “about two weeks” will turn into “come pick ‘er up” by the end of this weekend.

Here’s a pic from 2005, before Larry swapped out the pickups for me, as well as replacing the machine heads and fixing some of the wiring.


Come home soon, Les Paul. We miss you.

RPM Day 26

I know it’s late for this, but I’ve had a busy day.  Deal, okay?

I added the final lead guitar parts to four of the remaining six songs.  I haven’t made a final mix of any of them yet.  I might do that tonight, or I might wait until tomorrow.  I’m so close to finishing that I can almost taste it.  I should probably start thinking of a cover, and maybe a title.  What do you think of Rock Music for Old People?

RPM Day 23

It’s almost 8:00pm here and I haven’t done my stupid daily update that is boring all of you to tears.  Never fear.  In the words of the Yardbirds, Here’s ‘Tis.

Earlier this week I had announced that this particular song:

was complete and done and finished.  Today I changed my mind.  I remixed it.  It’s not much different, just a little more care was taken with it.  Oh, and I put some seriously retarded goofiness into it as well.  Gotta love idiots who put flangers onto drums, right?  Am I right?

This little song:

Was not finished, but now it is.  I used a fuzz box.  How have I made it this far into life without owning a real fuzz box?  Fuzz boxes and Phasers are the big overused stomp box gimmicks for this year’s project.

This particular little ditty:

Was also not finished, but now it is.  This holds the distinction of being the only song in the batch of 14 that did not have any work done on an iOS device.  This was all done on the full GarageBand on my MacBook Pro.  I think you can hear the difference.  I am a little sad that I didn’t do the whole thing on a computer now.  The iPad and the iPhone are just so damn convenient   I mean it would have been tough to have written a song in the car in a parking lot waiting for a take out order to be ready if I had to do it all on an actual computer, right?  Am I right?

So that’s three songs that are finished, finished, finished.  There is one other that used to be finished but I have decided it will get a new vocal take on Monday.  There are two other songs that have vocals that I want to re-record, at least in part, that still need lead guitar parts.  Then there are seven (7) more that don’t have any vocals yet.  RPM requires 10 songs.  FAWM requires 14.  I have 14 in progress, I could call FAWM done now but I won’t.  Finishing the vocals for a total of 10 songs on Monday is definitely doable.  Getting up to a total of 14?  That’s a little more difficult.

We shall see.

Feeling Goofy

That picture I posted earlier today that got something like 70 hits out of the blue over on Flickr, along with thinking about what I need to do to get ready for the RPM Challenge which starts next week, has me feeling musically goofy.  I went over to the ancient photobucket account that I stopped using when I joined Flickr in 2009 and found some Break Even stuff.  hehe

My wife (and anyone else who was living in Salem, NH 10-12 years ago) will get a chuckle out of this.
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Here are two of the three Les Pauls in the previous post in action. My sister took this at the Mammoth Road Club in Dracut.
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This was our “press shot”. Taken at Burgundy’s in Derry, NH.
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And finally… the fat boy singing. This is from J Rags in Tewksbury, MA, possibly at our first show.  Laugh to your heart’s content!
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Three Les Pauls

Three Les Pauls by robj_1971
Three Les Pauls, a photo by robj_1971 on Flickr.

There was a run on this picture on Flickr today, for some reason. This will probably go down in history as my last gig. It was Break Even’s reunion, put on by Steve the guitar player. Tim the guitar player, who Steve and I replaced, came back for the fun. All three of us played Les Pauls. Mine is the custom with the black pick guard on the left. Tim’s is the Black one leaning on the amp. Steve’s is the standard with the white pick guard and the awesome trapezoid inlays on the right.