Tag: alto saxophone

I Need to Practice

Listen to the section of this song where the saxophone and the guitar are trading four bar solos. The first four bars of sax sound okay. The second four bars of sax… I don’t know about anyone else, but I can literally hear my body decide it has had enough sax playing for a while and needs a rest. It’s something in the amount of breath support behind each note. The tone just gets thinner out of the blue. Again, I don’t know about the rest of you, but I find that hysterically funny.

Here’s song number four for this year’s RPM Challenge.

Music Day Continues Continued

WOW! Five years is a LONG TIME.

The saxophone came out of its case and amazingly, miraculously, I can still play it.

Can I play it well? Oh my sweet christmas I CANNOT. I SUCK! I put sax parts onto three songs including the instrumental where the sax plays the melody. It sounds awful, my playing is awful, and the whole thing is just awful and I don’t care because oh my goodness was that fun.

I lasted about 10 minutes before my body started to reject the whole experience. I mentioned calluses in the last post. When you don’t play guitar often you lose your calluses and it hurts. It is a similar thing with wind instruments except it is about muscle strength. There are muscles in your mouth and around your jaw that you don’t use very often that are used A TON when you play a woodwind instrument. I made it about 10 minutes before those muscles decided they were done. I would then play for 20 seconds or so and follow up with a 2-3 minute rest. After about half an hour of that I had to stop. For now at least. I am going to break for lunch and maybe watch a TV show and then see how I feel. It’s entirely possible the 2025 saxophone experiment might be over. We’ll see.

Speaking of lunch, one thing about playing sax that I forgot all about is that it makes you wicked hungry. I think that’s a wind instrument thing in general because I remember everyone in my high school band complaining about how they were starving at the end of each rehearsal. Yeah, I needs me some lunch now.

Saxophone, babie! I can still play!

Saxophone?

Do do do, just whistling past the american graveyard again… still… do do do…

I’ve been listening to King Crimson’s Red album quite a bit over the last few days. Crimson, in their original incarnation, had a sax player. First it was Ian McDonald, then it was Mel Collins. When band leader Robert Fripp shook things up and hired a whole new band with a drastically new sound in 1972 the saxophones went away. For a while, at least. By 1974, when they were recording the Red album, they were down to three band members, Fripp (guitar/mellotron), John Wetton (bass/vocals), and Bill Bruford (drums/percussion). Fripp was the only soloist in the lineup… sort of… the other two guys could have cranked out leads with the best of them (because they pretty much were the best of them) but instead they brought in a bunch of session musicians to help fill in the gaps. Among those session musicians were two sax players; Ian McDonald (alto) and Mel Collins (soprano).

Collins plays on the album’s centerpiece, “Starless” and his playing is wonderful (as always). McDonald also plays on “Starless” as well as “One More Red Nightmare”. His playing is out of the fucking world amazing. He wails, especially on “Starless”.

Listening to this record quite a bit lately has me thinking… is the sax playing inspiring me a little? The RPM Challenge is less than two weeks away and it’s coming up on time for me to start recording some new music. Do I suddenly find myself wanting to play the saxophone again? I haven’t taken my alto sax out of its case since I finished the 2020 RPM Challenge. Five years. Is it time to break it out again? I think it might be. I know I can still play even if I am only about 1% of the sax player I was when I was a music major from 1989-1991 and sax was my primary instrument in school. Guitar was a hobby I played on the side, even though I spent nearly infinitely more time playing guitar than sax… which contributed to me leaving school before I graduated.

So I guess what I am trying to say is, if throughout the month of February you start hearing about me writing songs in the key of E flat or B flat instead of E and A, and you start hearing me complain about severe pain in my lips and jaw (due to not having practiced at all in the last five years), then we can probably go ahead and blame Mel Collins and the late Ian McDonald. Just saying.