To my tiny little music obsessed brain, new music from David Gilmour is practically a religious experience. It had been almost exactly nine years since last he gave us an album of new material (2015’s Rattle that Lock) and the expectations for last Friday’s (four days ago) release of Luck and Strange were exceptionally high.

I started listening to it on Friday morning but it wasn’t until just a few minutes ago (on Tuesday afternoon) that I managed to listen to the whole record in one sitting. Mr. Gilmour* claims that it’s the best record he’s made since Pink Floyd’s Dark Side of the Moon. I mean… I love you, David but no one is going to mistake this for Dark Side. Having said that though, it is really fantastic.

There isn’t a whole hell of a lot of variety here, but that’s okay. Basically it’s a collection of moody, groovy, mid-tempo, mezzo piano songs with excellent vocals and stupendous melodic guitar playing. Basically what you expect from David Gilmour: an excellent singer and a phenomenal guitar soloist. There is also a bit of a family band vibe here. Normally when my aging rock heroes start hiring their kids to play in their bands it sort of rubs me the wrong way. Guys like Steve Howe and Jack Bruce had their kids in their bands and while they were all incredibly talented people I just didn’t want that. There were exceptions, of course, Teddy Thompson singing duets with Richard Thompson sounds incredible but might that be because his mother, Linda, was in Richard’s band at the beginning and he was just filling the gap that was left when she exited? Who knows.

In this case though, I am actually digging it. His wife has been co-writing songs with him for decades, going all the way back to Pink Floyd’s The Division Bell, so maybe that’s why the vibe is different here. One of his kids sings lead on one song and I guess also plays the harp. Like… a real harp, not a harmonica. I think a couple of kids sing backups on another song, and one kid also contributed some lyrics. Like I said, a bit of a family band thing. I am not put off by it at all this time. Maybe it’s because I have a family of my own now? I don’t know.

What I will say about this album though is that Gilmour hasn’t lost a speck of magic in the guitar soloing category. He was never the technical guy. He’s basically just a blues guitarist playing in a very non-blues setting. All pentatonics and bend notes and things like that. He’s not going to shred like Steve Howe. He’s not going to redefine technique like Robert Fripp. He’s not going to invent entirely new styles of playing like Steve Hackett. Nope, he’s just Dave Gilmour improvising perfect melodic passages and nailing them to staggering, passionate, perfection. This album is flooded with such playing. It’s everywhere. From the first note of the record to the last. It is littered with signature moments. Allow me to give particular notice to the song Scattered which literally gave me chills the first time I heard it. I was in the car driving home from the grocery store yesterday and I thought I was going to have to pull over and wait for the feeling to pass.

So there you have it. My fanboy review of one of my all time favorite musician’s new album. Go give it a spin. Luck and Strange by David Gilmour. Enjoy.

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Hey, King Charles. Don’t you think it’s time Mr. Gilmour became Sir David? Let’s get on that, pretty please.