Listen to the section of this song where the saxophone and the guitar are trading four bar solos. The first four bars of sax sound okay. The second four bars of sax… I don’t know about anyone else, but I can literally hear my body decide it has had enough sax playing for a while and needs a rest. It’s something in the amount of breath support behind each note. The tone just gets thinner out of the blue. Again, I don’t know about the rest of you, but I find that hysterically funny.
Here’s song number four for this year’s RPM Challenge.
Inside the Red Head's Head 