RPM Challenge Day 6/28

Day six was better than the previous two days, but still not good enough. I feel like I am light years behind schedule at this point. I am going to need a super productive weekend to fix the current situation.

Yesterday I took the song that I started overnight the night before (see my stupid little recap of day five) and added to it and fleshed out the song form and finished the MIDI bass and MIDI drums. I also added two more songs and got through the bass and drums on those as well.

So at the close of business on day six I have six songs with bass and drums tracked that are ready for rhythm guitars. On average, one new song per day. That’s not bad. It could be a whole ton of tons better, but it’s not bad. I expect there won’t be a whole lot of progress tonight, but tomorrow is Saturday and hopefully the weekend will see the pace pick up quite a bit.

RPM Challenge Day 5/28

The honest answer is nothing. Again. The second day in a row.

The squint a little answer is one new song idea. Or at least most of one new song. I woke up at 2:00am with stomach issues and needed to sit up for a little while. While I was riding things out I noodled out a couple of bass lines on my iPhone. Now at that particular moment the calendar date said it was day six. However, it was the middle of the night and I guess you can make an argument that day six actually starts when I get up for the day and that most definitely did not happen for a few more hours.

So is that bad little bass line technically from day six or subjectively from day five? I don’t know. Am I just making shit up to make me feel better about skipping two days in a row? Yeah, probably. Let’s just say that it’s been a tough couple of days for me and move on with our lives.

Here’s hoping for better news in tomorrow’s RPM Challenge recap post. Fingers crossed.

RPM Challenge Day 4/28

Nothing.

I had a really bad day and went to bed early, thinking I would get a good night’s sleep, but then I woke up super early and spoiled the whole plan. Shit.

I did get to wish my step son a Happy Birthday. I think I wished my nephew a Happy Birthday too. I sent him a text, discovered he has a new phone number, got his new phone number, sent another text, he didn’t respond. We called my sister’s phone to wish him a happy but he wasn’t home so we called his phone because my sister said his voicemail was setup but his voicemail wasn’t set up. I speak now directly to my nephew… I really hope you got that text. If not, Happy Birthday!!

That’s my whole day in a nutshell. Birthdays, back pain, stomach pain, first day back to work. Yippee. Today is an in the office day so it’s going to suck on so many levels.

Happy Merry and shit, everyone! WOOHOO!

A.I. Album Cover

During a conversation with my wife and my step daughter the other day I heard two phrases that immediately went into the running for this year’s RPM Challenge Album Title.

One potential title is, “Electric Heat is Crazy Expensive.”

The other potential title is, “Groundhogs Wear Top Hats.”

If I go for one of those titles, what would I do for the album cover art? The electric heat one… no clue. The groundhog one though… yeah, let’s ask A.I. to generate an image for us, shall we?

Maybe… maybe not. I don’t know.

RPM Challenge Day 3/28

Day three was similar to days one and two. One new song. This time it has bass and drums finished and a guide track for a sax part. It’s looking like it will be instrumental. I had this idea of having the album open with a short instrumental and this could be it. Unless it sucks, of course, or I can’t play the sax anymore, of course. The usual caveats.

RPM Challenge Day 2/28

Day two was mostly spent recovering from travel on day one (day three will be similar, I fear). I did add a second song idea and I worked out a full song form for both day 2’s song and day 1’s. So I now have two songs with full form done, including bass and drums. One of them may have a sax part already too, but it’s just a keyboard as a place holder for now.

RPM Challenge Day 1/28

It is February again so it is time for daily RPM Challenge updates.

Not much yesterday (Day one, Sunday), just one song idea noodled out in GarageBand for iPhone while sitting in a hotel room near Orlando, Florida waiting to check out and fly home. Hopefully I’ll get to a little more than that today.

Underway

The bags are packed. We are ready to check out of the hotel and go find some breakfast. Our ride to the airport isn’t until around 1:00pm so we will have some time to kill. I think we will explore on of the other resorts a little bit.

On a totally unrelated note, the first song for this year’s RPM Challenge has been started. It’s pretty lame. We are underway once more.

2025 RPM Challenge

It is 12:01am on February 1, 2025. In other words, the RPM Challenge is officially underway once again!

Now that it is time to start writing and recording new music… I am going to bed. I’m totally beat.

Breakfast at another hotel tomorrow. Check out from our hotel. Take a bus to the airport. Fly home. The Challenge for me this year will probably start on February 2nd.

Good luck, everyone!

Saxophone?

Do do do, just whistling past the american graveyard again… still… do do do…

I’ve been listening to King Crimson’s Red album quite a bit over the last few days. Crimson, in their original incarnation, had a sax player. First it was Ian McDonald, then it was Mel Collins. When band leader Robert Fripp shook things up and hired a whole new band with a drastically new sound in 1972 the saxophones went away. For a while, at least. By 1974, when they were recording the Red album, they were down to three band members, Fripp (guitar/mellotron), John Wetton (bass/vocals), and Bill Bruford (drums/percussion). Fripp was the only soloist in the lineup… sort of… the other two guys could have cranked out leads with the best of them (because they pretty much were the best of them) but instead they brought in a bunch of session musicians to help fill in the gaps. Among those session musicians were two sax players; Ian McDonald (alto) and Mel Collins (soprano).

Collins plays on the album’s centerpiece, “Starless” and his playing is wonderful (as always). McDonald also plays on “Starless” as well as “One More Red Nightmare”. His playing is out of the fucking world amazing. He wails, especially on “Starless”.

Listening to this record quite a bit lately has me thinking… is the sax playing inspiring me a little? The RPM Challenge is less than two weeks away and it’s coming up on time for me to start recording some new music. Do I suddenly find myself wanting to play the saxophone again? I haven’t taken my alto sax out of its case since I finished the 2020 RPM Challenge. Five years. Is it time to break it out again? I think it might be. I know I can still play even if I am only about 1% of the sax player I was when I was a music major from 1989-1991 and sax was my primary instrument in school. Guitar was a hobby I played on the side, even though I spent nearly infinitely more time playing guitar than sax… which contributed to me leaving school before I graduated.

So I guess what I am trying to say is, if throughout the month of February you start hearing about me writing songs in the key of E flat or B flat instead of E and A, and you start hearing me complain about severe pain in my lips and jaw (due to not having practiced at all in the last five years), then we can probably go ahead and blame Mel Collins and the late Ian McDonald. Just saying.