I pretty much always use the same time effects on all of my tracks when I mix a song. I like a super short slap back echo on vocal tracks, a dotted eighth note delay on lead guitars, and a short room style reverb on everything. I don’t want my mixes to sound dry, but I do like them to sound almost dry. I want the mixes to sound like they could be a band playing in a small club or a rehearsal room. For as long as I’ve been doing this stuff, that’s been my go-to goal.
I was listening to some Rush the other day. Moving Pictures. I was kinda taken by the reverb. There is a lot of reverb on those tracks. It’s never overpowering or in your face, but it’s there. Maybe this years RPM will include a little experimenting with different reverb types and lengths.
Why is it that every time I work from my parents house I manage to convince myself that it is Friday. The last time I worked here it was Friday, but today is not Friday. Today is Wednesday and here I am thinking about the things I want to do tomorrow when I don’t have to work because tomorrow is Saturday.
No, asshole. Tomorrow is not Saturday. Today is not Friday. Today is Wednesday and tomorrow is Thursday.
My parents are both watching TV. Dad’s in the living room. Mom is in the bedroom. They are watching the same show. He is watching the HD channel. She is watching the SD channel. There is a fraction of a second delay on one of them (I can’t tell which) so the audio isn’t lining up. It’s close, but it’s off, and it is driving my auditory nerve up the fucking wall.
I have a meeting in two minutes. Headphones, blessed headphones, save me from this noise!
Man, youtube… every once in a while you’ll see something and it will just click for you.
I just watched an episode of That Pedal Show where they talk about delay pedals. I have a really nice digital delay on my pedal board right now, a Wampler Faux Tape Echo, and I have been using the crap out of it. I use it’s tap tempo switch and it’s subdivision switch and I get dotted eighth note delays and I make all sorts of groovy The Edge style rhythmic patters and it’s just so much damn fun.
It’s a great delay pedal but it doesn’t really do oscillation. Oscillation is when the pedal feeds back on itself and makes all sorts of glorious noise. If you mess with the delay time control it changes the pitch of the noise and makes it even gloriouser. I have a really cheap analog delay that I am not currently using. It’s from one of those generic, low cost, Chinese companies. Donner, I think? A Donner Yellow Fall? I think that’s what it’s called. After watching this video I am going to put it on the board too so that I can have noisy fun and still have the digital tap tempo and subdivision stuff.
In all my years of playing electric guitar I’ve almost always had a delay pedal, but I’ve never been a delay pedal guy. Now I have all this youtube silliness to inspire me to do new and different (and yes, goofy and noisy) things.
Thanks, That Pedal Show!