You know it is summer when that red haired doofus in Massachusetts starts talking about writing 50 songs in 90 days. Day one was yesterday, July 4th. How did I do?
I started work on two songs. The first one started ridiculously early in the morning and it started with guitar, while most songs (including song number two) start with MIDI bass and drums. So two songs with the complete song form and bass and drums and one of the two has the rhythm guitars. That’s it.
I finished two songs by creating half assed mixes. The RPM Challenge’s Record Every Month challenge thing will have an entry this month. I just don’t know which of the two songs to submit. I think the second one might be a smidge better but I put some wobble on the rhythm guitars and I am starting to think I shouldn’t have. Also, the first song is in 7/8 time so… yeah.
Now I can go to sleep. Insert the sigh of relief here.
I am probably going to get my two songs finished for the month of June. File it under the RPM Challenge’s Record Every Month challenge. Yesterday I wasn’t sure if I would be able to finish a song or two, but I had a decent day music wise and now I am in good shape.
Last night before bed I wrote lyrics and melodies for the two songs that got guitar tracks earlier in the day (see the previous post). This morning I cut my exercise short and used the time to record vocals. Both songs were cranked out quickly and poorly. Tonight after dinner I was able to sneak back into the cellar and record lead guitars for both songs. I did so on a guitar with old and dead strings and with a left hand that is 100% free from calluses because I don’t play enough these days.
Oh my goodness, do my finger tips hurt right now. Oh the pain. Oh the horrible icky pain. Ouch-town, population: Me, bro.
I’ll mix the two songs tomorrow night after work. Probably while sitting up in bed wishing I was asleep. You know how it is.
Enjoy tonight’s crappy photos that are basically the same as the crappy photos on last night’s post except I am wearing a work-appropriate collared shirt today where I was wearing an awesome Rush Snakes and Arrows Live t-shirt yesterday.
I told myself I was going to write and record an album’s worth of music this month. 10 songs or 35 minutes. That was the plan.
I have failed, epically.
I started working on seven songs. As of this morning they were only midi bass and drums tracks with a midi guitar track acting as a guide for when I record the actual guitars.
It has been two weeks since I did anything musical at all. Yeah, the 10 song plan isn’t happening and the seven songs are going to mostly fail as well. Last month I wrote and recorded two songs. That’s my new goal. Call it a single. One song for the A-side and another for the B-side.
I put rhythm guitars onto two of the songs today. That’s good. I’m still probably going to fail though because now I have to write lyrics and a melody for both songs, then I have to record the vocals, then I have to record the lead guitars, then I have to mix the two songs and I only have two days left in the month. Most of my recording time takes place in the morning before work, and one of the two remaining days is not only a work in the office day, but its a work in the Foxborough office day and Foxborough is super far away from home so I won’t have any before work time.
So before I sleep tonight I have to write the lyrics and the melodies, and then tomorrow before work I have to record the vocals. Then probably after work I will have to record the leads. Then I can mix after work tomorrow.
Before any of that happens though, I have to have a watch-a-movie-on-the-living-room-couch with my beautiful wife. We’re watching Project Hail Mary again. Know that it is a great movie that is made better by a series of t-shirts with science jokes on them. If you haven’t seen the movie, you should. Then once you’ve seen it you should write a song or two.
I mentioned yesterday that I went to a wake for the parent of an old friend. The old friend is also a former band mate. Back in the 90’s I was the guitar player and sometimes the lead singer (yikes!) and she was the drummer.
That’s right. Our band had a woman playing drums more than 25 years before Rush had a woman playing drums. How cool were we?
Speaking of Rush (again), that’s what this post is going to be about. Rush. Again. The 50 Something Tour. The grand come back. The historically nerdiest band in the world assuming their rightful place as the coolest band to ever come back from retirement and the death of 33% of the lineup. The feel good story of 2026.
Back in the 90’s, the band we were in was made up of all Rush fans. There were three of us and we were all fanatics. We used to try to play The Spirit of Radio and I could almost sort of get there. Not really, but kind of. There was one, maybe two (memory fails me) occasions where the three of us went to see Rush together. Pretty sure we saw them together on the Test for Echo tour in… 1996? 1997? Probably ’97. I can’t recall. Was there another time too? 2002, maybe? I can’t recall.
Our Rush loving drummer had a sister who was a guitar player who was studying at Berkeley College of Music and was approximately 1369742987149176284691327469 times better than I was. I was always sort of expecting that I would get the axe and she would replace me. It’s kind of insane that they never did that. It would have made the band infinitely better.
The guitar playing sister moved to California at some point. She was at the wake last night. I hadn’t seen her since… I don’t even know when. At least 1999, probably earlier than that. The first thing she said to me last night was, “are you going to see Rush?” Did I mention she was a Rush fanatic too?
Side note: All of you people making jokes about how Rush is a boys only club can just fuck right the fuck off. I know more die hard Rush fans who are women than who are men. I married one. So there.
Back to the story, she asked me if I was going to see Rush and I said we got tickets to see them in New York. At this point I had completely forgotten that she lived in Southern California. If I hadn’t forgotten that I would have known what was coming. She said she saw them in Los Angeles. They played four shows… she saw two.
They have only played four shows on this tour so far and she saw two of them. I think I turned green with envy. I mean it. Literally. Green.
The tour reaches its second location tonight. They are playing the first of two shows in Mexico City. I have a valid passport. There’s no legal reason why I could not be there. I should be there. We all should be there.
I can’t wait.
After taking half a billion photos yesterday I quietly turn my creative thoughts to musical stuff.
I say quietly because I didn’t make any noise today even though I wanted to. I guess we’re starting with a failure but whatever.
The first musical thought… I am hoping to write and record demos for 10 songs this month. As of half an hour ago I am up to seven songs in progress. They are all just MIDI tracks right now. No lyrics or melodies or guitars or anything. I’m working on it though. A little progress on most days after failing to do anything for about the first week of June.
The other musical thought tonight is a little more abstract. Generally speaking, the world is kinda shit right now. We have pro-nazi assholes and pedophile protecting pieces of shit everywhere we look. We as a society have just devolved into this awful clusterfuck of awful. Through it all there is one thing…
We have this one beacon of positivity. This single shining example of goodness and rightness standing up in the middle of the ocean of bullshit. Rush. They have only played four shows in one city and it has been absolutely magical and magnificent and perfect and wonderful and I never ever want it to end.
Our tickets are for a night that is just over a month away and it feels like we’re going to be waiting for an eternity to be able to join in the magic, but the day is coming and there will be other shows in the meantime in whose social media posted glory we may bask.
Rush. We don’t deserve them but we need them. We need them to help us claw our way out of the cesspool. I can’t freaking wait for Madison Square Garden in late July.
Rush played the Kia Forum in Los Angeles last night (or whatever the place is called these days).
I am so happy. I am so happy. I am so happy.
I said I wasn’t going to watch any clips but I am suspending that rule for this one thing. It’s the first thing that my social media algorithm madness sent my way. Pretty sure it’s the first song in the set. I haven’t watched it yet. I’ll post it here and then watch it.
I am so happy and I can’t wait for July 28th at Madison Square Garden. I cannot wait.
Tonight is the night. Rush returns to the stage in glorious fashion. Weirdly, they are starting this new tour at the same venue in Los Angeles as their final show back in 2015. Back then, Neil Peart wanted to retire. The other guys did not, but they went along and that was that. Then Neil passed away and time went on and eventually Geddy Lee and Alex Lifeson started playing together for fun and eventually they brought in Anika Nilles to play drums and Loren Gold to play keyboards and now the tour is kicking off tonight.
So now, turning the attention back where it belongs… to me, we’ll be seeing the tour when it hits New York in late July. Boston wasn’t included in the initial tour announcement so we went with the closest city that was, and that was New York. I’ve seen Rush in New York a few times. If it weren’t for the fucking Yankees and the fucking Rangers and the fucking Mets and the fucking Islanders New York might be my favorite non-Boston city.
So the tour starts tonight but I still have nearly two months to wait before I can join in the fun. So what do I do? They have already stated that there will be multiple set lists so there’s a chance that even if I do get spoiled on that front there might still be surprises. I think I will try to avoid any foreknowledge though. Should I also avoid video clips online? I’ve only heard one song performed by this new lineup. They played Finding My Way at the Juno awards and it was freakin’ bliss. I don’t think I will be able to avoid all videos online, but I’ll probably try to avoid most… if I can… I don’t know.
Basically my point of view on this new Rush tour boils down to jealousy. I really wish we were in L.A. tonight. I’ve seen Rush 25 times. It would be pretty cool if 26 were tonight. I’ll happily wait my turn, but wouldn’t it be cool if around 7pm Pacific time or so… you know how it is.
Break a leg, Rush, both new members and old members.
Triumph’s 50th anniversary tour, the Rock and Roll Machine Reloaded. My first Triumph show in almost 40 years.
It was pretty cool. I must admit. Rik Emmett used to have the highest voice in the universe. He most definitely does not have the highest voice in the universe anymore. He’s 72 years old, that is expected.
Back when I was in high school and playing in a cover band, two of the four band members were Triumph fans so naturally we wanted to play one of their songs. Emmett’s voice was so ridiculously high that no mere male mortal could ever pull them off. Fortunately, Triumph had two lead singers. Gil Moore, the drummer, sang lead on about half of the songs. None of the hits, mind you, but there was plenty to choose from. If we couldn’t sing the high voice songs, we could pull off the low voice songs, right?
Gil Moore’s voice was drastically deeper than Rik Emmett’s. That is a scientific fact. Unfortunately, there was some weird psycho-acoustic kind of thing going on where when you listened to the two of them singing side by side, Moore sounded like a normal range voice. However, when you removed Emmett’s voice from the equation you realized that Moore’s voice was also ridiculously high and very few mere male mortals could hit his high notes. He sounded normal in comparison but the truth was we couldn’t sing his songs either.
Now? 40 years later? Mr Moore’s voice is no longer ridiculously high. Suffice to say when either of the original band members were singing, the songs were played in lower keys and the melodies were adjusted so that the highest high notes were avoided. That’s just biology. It happens to all of us.
My issue was with the songs they didn’t sing. I was worried that with three new members on stage it was going to feel a little like a tribute band. For most of the show it did not, though watching Rik Emmett sit back and play rhythm guitar while Phil X absolutely shredded through a solo that was originally Rik’s… well that felt weird. Especially because it seems that Emmett’s guitar playing, unlike his voice, is every bit as good as it was 40 years ago. The dude was on fire all night. He just played nicely and let Phil X shine as well (not to imply that Rik’s singing wasn’t excellent, it was. It was just different, that’s all).
When Phil X or Todd Kerns took a lead vocal though… that felt wrong. I would have an instant where my brain would think to itself, this isn’t what I signed up for, then I would get over myself and just enjoy the song. Both of them were excellent, even though they both often had to break into falsetto to hit the high notes. I’m trying to think if either of them sang an Emmett song… I’m not sure. They both song Moore songs. Huh… maybe they’ll release a live record down the road somewhere and I’ll be able to revisit it.
So there were tribute band-esque moments. Absolutely. On the whole though, it was a really fun show. No explosions on stage like the old days, but lots of cool visuals and lots of lights.
The set list was pretty expansive too. When I saw them in 1986 that was my one complaint. There were no surprises other than not hitting the Never Surrender album at all, and leaving off a few songs that I thought would have been staples. That was not the case this time. I think every record except the crappy Surveillance album that was made after things came unglued and the 90’s attempt at a comeback, Edge of Excess, was represented. Let’s see…
Spoiler alert if you have tickets to one of the 2–3 remaining shows and don’t want to know what’s coming. Stop reading now. Otherwise…
They played Blinding Light show and one other thing from the first album. They played the Joe Walsh cover and the title song from Rock and Roll Machine. They played both of the hits from Just a Game, Lay it on the Line and Hold On. Must to my surprise, they played I Live for the Weekend, one of the two strong cuts from their not-so-good Progressions of Power record. They played the two obligatory songs from Allied Forces, Magic Power and Fight the Good Fight, as well as the title song. They played When the Lights go Down and Never Surrender from the Never Surrender album, two songs I sorely missed back in ’86. They played the two hits from Thunder Seven, Spellbound and Follow Your Heart. Side note, the video for Follow Your Heart was shot at the Providence Civic Center in Providence, RI and I’m pretty sure my future drummer, Bob from Break Even, was there. They played their biggest hit single, Somebody’s Out There from The Sport of Kings. Ironically it was the second song in the set and it was the second song in the set back in 1986. Silly, but I noticed. I’m sure I missed a song or two, but that’s most of what they played. Just don’t ask me to list them in order.
All that’s left of note is the photos. I took my little point and shoot camera. The one Jen got me for xmas. I took it out during the opening band’s set to see how it would work and it crashed on me. It just died. I was zooming in and the lens just stopped moving and then the LCD screen when black and that was it. I kept trying to reboot but nothing I did had any effect. The camera was dead, Jim. I took a few pics with my iPhone and they came out fine. Strangely, as the show was ending I tried one more time to reboot the point and shoot and it worked. I guess 30th time was the charm? I haven’t tried to use it today to see if it will work. I’m too scared. Oh well. Here are a few iPhone pics.
And there you have it, folks. My second Triumph concert and my first in almost 40 years. It was a really fun show. All that was missing was Mike Levine and my Uncle Johnny.
I went to my first real concert on October 23, 1986. I went with my Uncle. It was Triumph at the Worcester Centrum in Worcester, MA. It had been rescheduled from an earlier date… I don’t remember what the original date was. I heard that guitarist/vocalist Rik Emmett fell down a flight of stairs while getting off of a plane and screwed up his knee so they had to postpone a couple of dates while he recovered. I don’t know if that’s true or not, it’s just what I heard.
I was 15 back then and early in my sophomore year of high school. I was a big Triumph fan, but maybe not that big a fan. Certainly not as big a fan as I was of the other three-piece band from Toronto, Rush. Still, Thunder Seven, Allied Forces, and Just a Game were A-List albums in my book. Never Surrender and The Sport of Kings were both really good too. They were touring to support Sport of Kings when I saw them that night, and a couple of years later my first real band would cover a song from that record, Tears in the Rain. It often went over surprisingly well when we played it, even though the guys in the band were probably the only people in the room who were familiar with it. I wonder if anyone thought we’d written it? Probably not. It was WAY better than our handful of original tunes. I mean, WAY better.
I didn’t know it at the time but Triumph was just about reaching the point where they were falling apart. I recently read Rik Emmett’s memoir and he mentions that the first nail in the band’s coffin happened during the recording of Sport of Kings. They had planned to record a song written by an outside writer, a groovy little ballad called Just One Night. It was expected to be the album’s big single and the band had decided that drummer/vocalist Gil Moore would sing it. The guy who was originally hired to produce the record had spoken privately to Rik Emmett and said he should be singing that song instead of Moore and he wanted Emmett to break the news. Emmett did, on an airplane flying home to Toronto, and I guess Moore lost his shit (probably very politely, given that they are good Canadian boys after all) and that was the first step toward everything falling apart. It took a couple of years but eventually, in ’88, Emmett quit.
Moore and bassist/keyboardist Mike Levine eventually tired to bring it back from the dead. They hired guitarist Phil X, who these days is best known as Bon Jovi’s lead guitarist, and made one more record. I heard a song or two on the radio and it was pretty good, but not good enough to really reignite my interest. I had high hopes for Rik Emmett as a solo artist but his first record was a glossy poppy disappointment and that was that for me.
Fast forward to a few months ago and out of nowhere Triumph announced a 50th anniversary reunion tour. Rock and Roll Machine Reloaded (Rock and Roll Machine was the name of their second record in Canada and their first in the US). I think the reloaded part of the tour’s name sort of points to some lineup changes. Early on they reported to us that Mike Levine would not be playing at every show. He had a medical issue to deal with (something wrong with his hand, I think?) and he would join the band onstage whenever he felt up to it. I’m pretty sure the tour ends next week and the total number of appearances he’s made is equal to zero. That’s disappointing.
Due to that, a second bass player, Todd Kerns, was added to the lineup. Additionally, Phil X would also join them. He wasn’t a member 50 years ago, but he was a member in the 90’s. That seems fitting. When I saw them in ’86 they did have a second guitarist on stage with them. His name was Rick… something. I forget. I do remember finding him a little annoying. Like, I wanted to see the trio. I was okay with the extra guy but maybe he could have stayed off to the side out of the way. I was an asshole. Sorry. As if two extra musicians weren’t enough, Gil Moore made it clear that he wanted to come out from behind the drums and sing a couple of songs from the front of the stage. That requires a second drummer. Brent Fitz was added. He’s a keyboard player as well so I guess he’ll also be covering some of Mike Levine’s parts.
So this Toronto trio is now a group of five or six (if Levine appears). I guess everyone sings so the vocal harmonies are going to be denser than they used to be. Also, Moore and Emmett are old now, both in their 70’s. Their vocal ranges are nowhere near what they used to be (especially Emmett, whose near-soprano days are long over) so the “new” guys are going to be singing lead on a some of the songs. That is… troubling to me. That sort of makes me fear that this is going to be a tribute band that just happens to have two original members. I don’t know how I feel about that, but I am choosing to ignore it and just enjoy having this long lost band back again.
When the tour was announced, the final show was scheduled for June 6th in Boston and it sold out instantly. I tried to get a ticket but no luck. A couple of days after they went on sale I went to ticketbastard’s site just to see how it looked and there was a show on June 4th with almost no tickets sold. Huh? I Googled and sure enough they had booked a second Boston show and somehow didn’t really announce it. I grabbed a ticket in the back. I don’t want to say a cheap seat… how about a less crushingly expensive seat.
Now here we are on June 4th and I am psyching myself up to go experience the Rock and Roll Machine in person for the first time in almost 40 years. I’m flying solo for this one. I didn’t want to subject anyone else to the 80’s of it all. I checked the venue’s camera policy and point and shoots are acceptable, so I am totally bringing one. We’ll see how it holds up to the lighting and the distance. I expect lots of blurry, shaky messes. Doors open at 7:00 and the show is supposed to start at 8:00. The opening act is April Wine. I’ve heard of them but I don’t think I’ve ever heard a single note. I know they are another Canadian band so I expect them to be very polite and I will be equally polite as I wait for the headliner.
My Uncle passed away a long time ago. He’ll be with me in spirit though. I’ll be thinking of him. Especially if Rik plays the acoustic solo from the Thunder Seven record, Midsummer’s Daydream. Uncle Johnny was very impressed with that one.
Happy 50th anniversary to the first band I ever saw live. Here’s hoping for a good time at the old rock and roll show.
PS: I tried to find the set list from October 23, 1986. I failed. I did, however, find the set list from October 24, 1986. It is probably the same, and from what I remember it lines up.
If there was a difference, my show might have swapped the last two songs. I remember their Joe Walsh cover closing the encore, but maybe it closed the set and Fight the Good Fight (by far their best song… like by astronomical units) was the encore? Who can say.
Inside the Red Head's Head 