Musical Organization

I’ve been thinking about band practices.  Specifically, I’ve been thinking about the notes I take when I sit down to learn a new song.  More specifically, I have been thinking about what a mess my notebook has become.

It has been decided.  A trip to Staples is in order this weekend.  I want to buy a binder and a crap ton of clear plastic inserts.  Each song’s worth of notes in the notebook will be copied into a Google Doc with each song getting it’s own page.  The Doc will be printed out and then each song will get its own insert and be placed into the binder in alphabetical order.  No more farting around trying to find the right page in the notebook.  Someone asks for a song, flip to the right page, Bam.  Rock and Roll all over your face.

I am such a nerd.  I suffer from terminal nerdness.

Last Night’s Band Practice

Last night’s band practice was… different.  In a few ways.

It was the first rehearsal I’ve been to that was short a member.  Greg the singer couldn’t make it.  Kevin the drummer, Mike the bass player, and I decided to get together anyway.

Gear wise, I brought my Strat and… well… it’s wimpy.  I ended up playing through my lead channel all night because the guitar just lacks balls.  I may need to come up with some sort of alternate signal path specific to the Strat. Maybe a distortion pedal or something to beef thing up.  The instant I had that thought I realized that I’ve been whining about my Les Paul being wimpy since I put in the Classic ’57 pick ups.  Might a crunchy stomp box at the front of the chain solve that problem too?  Probably not, but it’s cheaper and easier than buying and installing a new pick up.

Anyway, that’s not what felt different last night.  Neither is the missing singer, really.  What was different was that we played very hard.  There was a level of intensity that hadn’t been there before and frankly it wore all of us out quickly. It took less than an hour for us to start feeling out of gas.  I think there was less discussion between songs, and therefore less time to recover before moving to the next thing.  Last night it was a case of someone throwing out a title, we crank through it, then as soon as we finish someone throws out another title.  During the second hour we actually took a break.  It was a five minute break that, thanks to talking about Game of Thrones and The Walking Dead, turned into 20 minutes.  It was necessary.  It let us finish off the night with a bang.

For me personally, I have to make some big changes to the way I do things, and I’m not talking about gear (for once).  It goes without saying that I need to practice more.  The other guys have been playing these songs for years now and have them down cold.  If they only practice as a warm up for rehearsal then that’s fine for them.  Not for me.  I take notes on the songs as I learn them and I am completely dependent on those notes.  I can’t make it through without checking the cheat sheets and that has to stop right now. Practice will solve that issue.

More concerning, I am not physically capable of just setting up and playing my tail off for two hours.  My hands cramp, my fingers get too stiff to play, my wrists hurt, my shoulders hurt, my arms hurt, my back hurts, my legs hurt.  A solid two hour rehearsal is almost too much for me.  I know I need to exercise more.  That goes along with dieting and should result in improvement with my legs and my back.  For my arms and my shoulders, I think the fix is to practice standing up.  I am into the habit these days of sitting when I practice.  I am not Robert Fripp so I should be standing.

My hands though… that is what scares me.  I think I’ve mentioned it here before. I don’t want to get to the point where the pain in my hands exceeds the enjoyment I get from playing.  I started doing a little research on things I can do to strengthen my hands and my fingers.  Two things come up repeatedly.  One is squeezing a tennis ball, or something similar.  I should be doing that every day.  When I’m sitting in front of the tube I should have one of those squeeze grip things in my hand.  They actually make one geared for guitar players that lets you squeeze with each individual finger.  I might have to get one of those.  The other thing I need to do is stretch before I play.  I was starting to get into the habit of doing just that when I joined Break Even for exactly the same reasons.  A few songs into practice and my hands would be killing me.  I need to get back to doing that.  My research has shown me a few things to try.  I need to never not do those exercises before playing again.  I need to make it as much a part of my routine as tuning up.  I very much want this band to start working in public again.  That means I have to be ready to play hard for four hours a night.  As it stands right now I don’t think I can do that.  I will get there though.  Definitely.  Count on it.

Lifehouse

I made a playlist out of songs that might have been part of The Who’s abandoned Lifehouse movie soundtrack. The word is that two Who albums are made up of aborted attempts at bringing Lifehouse together, Who’s Next and Who Are you. There are a bunch of outtakes from Who’s Next that were also part of the project, and a few other songs from throughout their career. This is incomplete and the running order is sort of random, but it’s as valid as anything else (with the exception of Pete Townshend’s Lifehouse Chronicles demo collection).

Nothing Much

Not much going on today. I just got out of work. The Bruins are on tonight. Just another day.

Here’s one of the songs I’ve been working on re-recording. Why? Who knows. Guaranteed this file will be deleted one of these days, probably soon. But for now, here you go. This has actual amplified guitars, and an actual real bass guitar. It’s almost live except that it’s not even remotely live.

Note to Self

Here’s a little reminder to myself.

I own two good pairs of (sort of) noise cancelling headphones.  From this point on I must remember to use one of them when recording guitars through my amplifier.  This morning I recorded all of the guitar parts for one song, playing my Les Paul through my old Fender amp (just like when I was in the band Prime Meridian, oh the memories).  I literally had the volume set to 1, but I was using ear pods to listen to the playback while overdubbing and, well, the amp on 1 is much loader than the ear buds can comfortably drown out.

My ears are still ringing, but I got a couple of decent takes.

There are five songs in progress right now.  I’m thinking I want to record 20.  I will (probably) finish these five before starting any more.  Well, finish not counting re-recording the drum parts with actual drums.  I’m still on the fence about wanting to do that.  Everything else though, guitars, bass, vocals, will get re-done.  Three of the songs have keyboards.  Those will probably stay midi, unless I want to bring in someone else to play them for real and they are way too simplistic to insult an actual keyboard player by asking for that.

I will bring the Squire P Bass I loaned to Mike the Bass Player home with me after the next band practice, assuming Mike doesn’t need it for a while, and after all the bass parts and Fender amp parts are done I will bring the Marshall home and re-do all of the guitars again using that amp.  In the end I’ll have all of the rhythm parts quadruple tracked using two amps.  The Smashing Pumpkins fan in me is drooling at that potential of such a layering of fuzz.

New Music Search Update

Here are a couple of records I’ve been listening to a lot lately. I have found these through Google searches for new music and I literally know nothing about any of the artists, aside from knowing that I like the records.

Club Meds by Dan Mangan and Blacksmith. I don’t recall what I was searching for when I found this, but I liked it enough to spin through it about three times during work today.

Teeth Dreams by The Hold Steady. This band’s singer might turn some people off, but if the band ever decided to replace him I will literally smack them all across their idiot faces. This voice is PERFECT for this band. Perfect, I say!

The Final RPM Post

Here’s one you’ve been waiting for. The Final Official RPM Challenge Post for 2015.

My project has been uploaded into the RPM Challenge Jukebox. The final step is complete!

My Jukebox Page

There are still listening parties and stuff like that, including one in second life that I’ve always been curious about visiting, and a Portsmouth radio station is going to spend a full day playing nothing but RPM music from all over the world. That will stream online here. It’s scheduled to start at 12am on March 29th and run right straight through to midnight on the 30th. 24 hours of RPM music. Insane! I might check that out too.

Other than those things though, the annual craziness that is RPM is now officially finished.

Sure, Now it Works

One night last month I tried using the Logic Remote app to run GarageBand on my MacBook Pro.  It connected after seemingly endless struggle and then worked so poorly that I shut it off.

Tonight, while not up against a deadline, I tried it with my iMac.  It worked much better, though far from perfect. I give it a C overall.