Stuff Going On

I have two things going on today besides work. First, I had to visit my father to help out with that thing that he needs help with that I am not going into details on. I usually do it after work, but tonight there is the second thing going on. Tonight is the first band practice in about a month or so.

I just got home from my father’s place. All went well. He’s good for the day. Nice. When I got home I logged back in to work and sent off a facebook messenger message to the band. Are we still on? As of right now we are, but one band member may have traffic issues. We’re keeping our fingers crossed.

I also just ordered a capo from amazon. I know I have one somewhere, but I just can’t find it. I’ll have to go with the alternate tuning solution tonight if we play that one new song. I’ll have a capo for the next practice, I promise.

I’m not sure how dinner is going to work tonight. We still need to figure that out. I expect it’s going to be protein supplements for ol’ Robbie, but I want my beloved bride to have something nice.

Okay, back to work with you, Mr. Robert.

Superstition

You know this song, I am sure of it:

 

Are you aware that this is not the original recording of this song?  Stevie Wonder wrote Superstition for Jeff Beck.  The story, as I heard it (I don’t know if it’s true or not), is that Beck played on one of Stevie’s records and Stevie wrote him the song as payment for the session.  Beck had just started a new band and used the song as the centerpiece for their first album.

The band was Beck, Bogart, Appice (aka BBA) and despite the fact that it might have been the most talented trio in human history, their album is pretty crappy.  Superstition is by far the best track, but even it is a bit on the weak side.

 

Regardless of the quality of the recording, it’s an awesome riff and a monster groove and Jeff Beck is a god.  When I was a kid I had a cassette tape full of songs that I loved to play along with when I was locked in my bedroom playing my guitar.  Beck’s version of Superstition was absolutely on that tape.  I could totally play it in my sleep.

Fast forward about 30 years to modern times.  Two weeks ago at a band practice, the four of us sat around throwing out ideas for songs to learn.  Someone suggested Superstition.  They were thinking Stevie Wonder.  I said yes, thinking BBA.  Over the last few days I have taken to re-learning the song.

Oh my goodness.

I don’t know how I used to play this song.  It was tying my fingers in knots.  What a mess! I was playing around with both versions, as well as the Stevie Ray Vaughan version, just trying to make some coherent sense out of the whole thing and damn was it rough! When we played it at rehearsal tonight it was okay, but I scared myself for a minute there.

So I guess that answers the unanswerable question… am I a better guitar player today then I was when I was a kid?  That would be a solid NO.

Speaking of Stevie Ray Vaughan, I changed up the dirt section of my pedal board.  I took out the green Big Muff and added a Tube Screamer (Stevie Ray used Tube Screamers… that’s why I said speaking of Stevie, get it?).  I used to have my Fulltone OCD as a boost followed by the green Bass Big Muff followed by an EHX Soul Food for a volume boost for leads. Now it’s the Tube Screamer as a boost into the OCD as the dirt source, and the Soul Food stays as the volume boost.  It sounded okay, but I need to bring the board and the amp home for some detailed tweaking before the June 3rd gig.

You are fascinated.

Cover Song

Another awful, awful, god awful recording from last week’s band practice. This song isn’t there yet… but I swear by the old gods and the new that it will get there.

This is the weird part of playing in a cover band. I can honestly say that if this song came on the radio I would change the station as fast as humanly possible. However… it is pretty fun to play.

Late Night Music Post

Done. Sort of.

All 10 April songs are mixed and uploaded to alonetone.com.
All 10 March songs are mixed and uploaded to alonetone.com.
The cover song I threw onto the list on Sunday is mixed and uploaded to alonetone.com.
The 12-bar I threw onto the list yesterday is… not. I still need a vocal for that one, but that is absolutely all that’s left for what is now the March/April/May music project.

Here’s the cover song. I’ll post the rest of the stuff tomorrow… or someday.

This is Robin Trower’s “I Can’t Wait Much Longer”. I believe it was written by Trower and Frankie Miller, but something makes me think it was just Frankie Miller.

I used the Jimi Hendrix Amplitube app for all of the guitars. I hope Mr Trower approves of that decision. I should have tuned down a semitone or two. My voice is able to hit everything in the melody, but I have to sort of push hard to get up to some of the higher notes. This song needs a softer touch than my lame shouting. James Dewar I am not.

I have freakin’ loved this song for ages upon ages and I do not believe I did it justice. It was fun playing around with it though. I had to install an AU plugin to get the flanger onto the cymbals. I also had to learn how to install AU plugins. I am sure that Garageband 6 had a flanger. Didn’t it?

Overdoing It

I’ve got three songs left to finish. Almost there. I might even have time on Tuesday morning to finish up the vocals. Nice, right?

Well…

I felt like playing the guitar today and I didn’t have any parts to record so I… Well… I added another song. Urgh.

Even worse, it’s a cover. Urgh indeed.

Question for guitarists and guitar playing aficionados. When you think of Fender Stratocasters, who do you think of? Jimi Hendrix, post 1970 Eric Clapton, Jeff Beck, Stevie Ray Vaughn, Ritchie Blackmore, David Gilmour, about 100 others. All good choices.

Me? Despite a lifetime of being obsessed with both Clapton and Beck, to me the first name that comes to mind when I think of Strats is Robin Trower. Not the biggest name, and probably not the best player, but something about his style always spoke to me. There is soul, there is passion, there is class, there is fire. Lots of slow bends, legato phrasing, well… Just a lot of things I have always tried to do. The difference being that he does it all while I futz around like a wannabe.

Back in high school I had heard of him without ever actually hearing him. One night I listened to a recording of a Procol Harem concert on the King Biscuit Flower Hour. The host was singing Trower’s praises and rightly so. The guitar playing in the show was fantastic. First chance I got I went out and bought a couple of records. BLT and Bridge of Sighs. I didn’t find out until later that despite the commentary, it wasn’t actually Robin Trower playing in that Procol Harem show. That was okay though, Bridge of Sighs won me over big time.

There is a song on his first record that I’ve always loved. “I Can’t Wait Much Longer.” Great song. Back in high school I tried to get my band to play it, but no one else was feeling it the way I was. The first time I ever borrowed a 4-track recorder I recorded that song. I used the cheesy little drum sounds on my dinky little Casio keyboard. It was basically the same goofiness I’ve been boring the universe with lately, it just didn’t sound as clean.

Anyway, I recorded a cover of “I Can’t Wait Much Longer” today. It’s all done except for the vocals. Once I bought a Strat it was pretty much inevitable. The whole thing is on my iPad right now. After I finish the vocal I’ll port it to the MacBook. I’ll have to clean up a little bass here and there, but other than that I’ll just mix it as is.

I’ll leave it until the last three March songs are done though.

Maybe.