RPM2018 – Day Five

Disappointing day for me today. I made myself get up early so that I could take advantage of the small window of time that being the last one out of my house each day gives me. I was shooting for an hour, but it was more like 20 minutes. Oh well. I tried to write and record lyrics and vocals for song #1. I couldn’t come up with anything. I was totally blank. I couldn’t even find a good pitch to start singing on. It was weird. That sort of thing never happens. I brought up song #2 and I was able to hum a melody but I was still blank on lyrics.

That’s all I have managed to accomplish today. Kinda sad. I’ll try and get up early to give myself another crack at it tomorrow, but it’s really late now and I need some sleep. I expect getting up 60-90 minutes early is going to be difficult tomorrow. We will see.

RPM2018 – Day Four

No new song ideas today, but still some decent progress. I added rhythm guitar to two songs, and worked out the song form for two others. As of now there are seven songs underway. Three have guitars and are ready for vocals. Three more are ready for rhythm guitars, and the last one is still just a couple of bass lines.

More progress tomorrow, hopefully.

RPM2018 – Day 3

I made a little bit of progress on two of the song ideas. One song now has two tracks of rhythm guitar. The other has a full song form. It’s less than three minutes, but it’s kinda groovy. I like it so far. I’ll probably find a way to kill it soon enough.

I’m hoping to make better progress tomorrow, but there is a lot of family time planned. It’s my step son’s 15th birthday. There’s some football game too, but I don’t care about that.

RPM2018 – Day 2

Day two was a little more productive, at least in terms of sketching out initial ideas. Just after writing last night’s update I started working on a riff in 5/8 time. I’ve never used that particular time signature before.

Today I took one of yesterday’s ideas and worked out a song form. I also started working on four new ideas. Two on my Mac, and two on my iPhone.

I’m hoping that tomorrow I will at least be able to work out a couple more song forms and start putting down some rhythm guitars. I am going to use my new Vox MV50 amp’s direct output into my computer. We’ll see how that goes.

RPM2018 – Day 1

I had such big plans for today. Ask me how many of them worked out. Go on, ask me.

None.

I managed to piece together a few bars of bass and drums in 5/4 time. That’s all. Better than nothing, and all progress is good progress, but overall it was a little disappointing. There were incredibly important reasons for my plans falling through, of course, and I wouldn’t have changed a thing. It’s just not as much RPM’in’ as I’d have liked.

Tomorrow is another day.

Post Gig Recap

Untitled

We survived another show last night. Barely. We have been lucky over the last year in that we haven’t had any technical difficulties at any of our shows. That lucky streak came to an end last night.

The last time we played at Racks in Plaistow was a couple of months ago. That night we noticed that one of the house PA speakers sounded like it was going to give up the fight. At some point after that it died. That wasn’t really an issue for us last night, but more on the PA later.

I was paranoid as hell last night. We set up all of our gear and then waited. During that wait time I was going nuts. What if we go for sound check and something is wrong. I need to go double check everything. Mike the bass player was feeling the same thing. It was odd. About 10 minutes before sound check we both went up on stage and checked everything out. His gear was fine. Mine? No.

I plugged in my guitar, turned everything on, and nothing. I tried changing the input on the amp. Nope. I plugged directly into the amp. That worked. Okay, so it’s somewhere on the signal chain. Ah ha! One of my overdrive pedals’ power cable was unplugged. Fixed. Just as we were ready for sound check, I was up and running. But why does everything sound so wrong? Oh crap, I was still plugged into the wrong channel on the amp. Fixed.

So we’re bombing through the first set. Everything is going fine. Then someone in the crowd says that Greg the singer’s microphone was cutting out intermittently. Okay. Mess with the speak, the board, the PA amp, the cables. Nothing helps. We even strung together a couple of mic cables to stretch across the stage to use in place of the cables the house had. It worked for one song and then we lost the PA completely. We actually blew a fuse on the power amp. What the hell do we do now? Mike the bass player and his gigantic bass amp rig to the rescue. We ran a 1/4″ cable from the headphone out on the mixing board into a second channel on his bass amp and we sang through that.

It sounded like… what… shit. That’s what it sounded like. That is how it always sounds when you run a vocal mic through a bass amp. It’s supposed to sound awful, that’s why no one does it. The important thing here is that it worked and the show went on. We were halfway through the first set and we were looking at the possibility of going home 2-3 hours early, but Mike’s big yellow bass amp (Big Bird) that weighs 20,000 pounds came through for us and we were able to play the rest of the show.

As for me personally, it went pretty well. I didn’t have any pain in my left hand to speak of. There was a little early on, but I got through it. By the end of the night my hands were protesting and the end of the show was much needed. I think we really went two songs too long for me, but I made it through. Once I got through my own little tech issues everything went fine. My OCD pedal is really noisy, especially when it follows the Tube Screamer. It’s really noticeable when we are practicing in an otherwise quiet room. Last night the noise floor was high enough that I could only hear it when I was listening for it, and I don’t think anyone else could hear it at all.

As for the crappy tone I’ve been getting at practice… I wanted to open things up at home and mess with EQ, but I didn’t. At the show I thought I would tweak on the fly but I didn’t have to. I thought the three overdrive chain worked really well. I thought I sounded pretty good. Not great, but good. I’m starting to think that maybe the issue is just the walls in Mike the Bass Player’s basement. Maybe it’s just the room effecting the tone. I don’t know. I do know that I was pretty happy with everything last night.

There were no other issues. No dropped picks or anything like that. I had the mic stand pick holder with four spares on it. That did not end up being needed, which is exactly the point. It’s there if you need it, but hopefully you don’t need it. I also had a glass slide. Why? Because the mic stand pick holder had a slide holder too, and if it’s there I should use it. I had no plans to play slide at all, but I did use it on the very last song of the night as a goofy attempt at being gimmicky. I don’t think anyone noticed.

One more item of note, the crowd was huge! Well, by our standards it was huge. Probably the biggest crowd yet! It was great! It was also pretty funny that almost everyone left after the second set. So big crowd for the first set, who thankfully sat patiently while we tried to fix the PA, then a bigger crowd for the second set, and then a tiny yet extremely enthusiastic crowd for the third set.

To sum up, it came within a whisker of being a total disaster but it ended up being a really fun night. Thanks, everyone!

Gig Day To Do List

Hello and welcome to June 3, 2017.  It is gig day.  The band is playing in Plaistow again and I need to write a to-do list for myself.

  • Decide which guitar will be the #2 for the night.  It’s always been the ES-335, but tonight I am about 56% set on it being the Fender Strat.  With the exception of Tempest Fero’s first couple of appearances back in 1988, when my guitar was a very cheap Hondo strat copy, I have never played a non-Gibson guitar in front of people.  There were a couple of times when I played my friend Larry’s Epiphone, but that is still a Gibson product.  Will tonight be my first time with a Fender?  Will I take it but not use it?  I have no idea yet.
  • Restring two guitars.
  • Velcro the Tube Screamer Mini pedal to the board.  Right now it’s just sitting there, not tied down at all.  That could be a problem come show time.
  • Set everything up at home for a warm up/practice/find a way to tame the mid range nonsense in my tone session.  Possibly use my new A/B/Y switch to let me play with my Fender Deluxe Reverb and my Fender Bassbreaker amps at the same time.  I don’t expect to do that at the show, I just want to do it because it’s awesome.
  • Pack everything up, including the box of picks, the mic stand pick holding device, and the glass slide.  I don’t have any reason to play slide tonight, but the pick holding device is also a slide holding device, so I am taking it with me.
  • Take a shower.  Very important.
  • Go to Mike the Bass Player’s house and pick up the stuff I didn’t take with me after last weekend’s practice.
  • Go to the bar.
  • Unload the car and set everything up.  Will there be a Fender guitar?  I still haven’t decided.
  • Soundcheck… maybe.
  • Play the show, all three sets.
  • Pack up the gear and load it back into the car.
  • Get paid (assuming we are still getting paid).
  • Go home.
  • Unload the car.
  • Go to bed and hope to sleep for 12 hour straight, but realistically only sleep for maybe four hours.
  • Wake up tomorrow and call it a successful gig.

No problem!

I Know Just Enough to Screw Everything Up

When I was a kid first learning to play guitar in bands I didn’t know much of anything. I knew you turned the master volume on your amp down low and the gain all the way up and you got distortion, and if you lowered the volume on your guitar the distortion cleaned up. Later I got an amp with two channels that had a foot switch that could swap between them. One channel was distorted, the other was clean. Now I didn’t even have to mess with the knob on my guitar anymore.

That seemed like enough knowledge for me.

Then came the internet…

Now I can research all sorts of ideas on how to make yourself not only sound the way you want to sound, but to craft your sound so that it sits better in the mix and will cut through all the noise when you play leads and all sorts of wonderful acoustical wonderfulness.

After the last gig I changed my pedal board around.  I took out the main fuzz pedal and picked up a tube screamer.  I wanted to use that with very low gain to push the front end of my amp a little and also push the mid frequencies so that I could be heard in the mix a little clearer.  Then the signal goes into my OCD and that is where all the gain comes from.  It’s going to be great!  Everything is going to sound so much better.

Last week I took my strat to practice and everything sounded okay.  It wasn’t perfect, but it was my strat.  When the Les Paul comes to town it’s going to be awesome.

Last night the Les Paul came to town.  How did it sound?  Like dog shit.  It sounded like a mid ranged slab of mud just sitting out there for all to hear and be grossed out by.  I started tweaking things immediately.  I took out the tube screamer, cranked the gain and changed the hi/low boost on the OCD pedal, and endlessly messed with the tone controls on my amp.  Urgh.  By the end of the practice, the tube screamer was back on but every tone knob had been manhandled and I was left with a sound that was passable, but still not good.

About 2.5 hours into our three hour practice a thought popped into my head…

I miss my fuzz pedal.

I know just enough about how things work to utterly screw it all up.