Beat…
Adrian Belew and Tony Levin were in King Crimson (the first time) from 1981 through 1984. The two of them have recruited two world class musicians to play the music from that time period once again. On drums they have Danny Carey from Tool. I am not terribly well versed in Tool’s catalog, but what I do know is good and he seems like a good choice to cover for the legendary Bill Bruford. The other new guy… I don’t know.
I should be absolutely stoked for this new band. Adrian Belew is a fantastic guitar player. He’s one of the most innovative, original musicians ever. He’s a giant. Tony Levin is literally as good as a human being can get. Whether it’s on the bass guitar or the Chapman Stick, or any other chunk of wood with strings on it, he’s as good as it gets. He’s one of, possibly THE, most talented musicians on the planet Earth at this time. I’ve seen him live twice, once just before the pandemic hit when he was playing in the last version of King Crimson, and once back in 1988 (or was it 1989?) with Yes spinoff Anderson, Bruford, Wakeman, Howe. I really wanted to see him with Peter Gabriel back in September but we went to Disney World and caught Covid-19 instead.
Belew, Levin, Carey… all people I should be salivating over the chance of seeing them live on stage together. It’s that fourth guy though…
Is Steve Vai one of the most talented guitarists in the history of wood and strings? Yes, that’s a fair statement. Is Steve Vai a musical genius? Yeah, probably. I just… I just don’t really care for his music, that’s all. To me, he’s sort of in the same boat as Joe Satriani. I heard once that he actually took lessons from Joe Satriani at one point. I saw Satriani live once. He opened for Deep Purple. There was no denying his talent. No denying he is an astonishing guitar player. Having said that though, two songs into his set I was completely bored. Enormous talent. Staggering technique. But no actual interesting music. None.
Vai played with David Lee Roth and Whitesnake back in the 80’s. His ability was jaw dropping. His actual music? I’m sorry but it was just boring. It was style over substance in the worst way. That 1981-84 period of King Crimson is very important to me. I am positive that Steve Vai is going to do amazing things with it. I am also sure that I will be bored to tears by all of it.
I honestly feel terrible that I feel this way. I should be giddy with glee over this new band. I’m not. I just can’t. It makes me sad, it really does. My sincere apologies to Misters Belew, Levin, and Carey. And to Mister Vai too. I just can’t get over my preconceptions. I am really sorry.