Jen, Bellana, and I took a train from a little South of Boston to New York on Tuesday morning. Mike the bass player took the same train on Monday. Kevin the drummer flew into New York from Arizona on Monday. Sarah and Adam, two of Bellana’s friends, came into town from somewhere to the South (sorry, I don’t recall exactly where) on Tuesday too.

Jen, Bellana, Kevin, Mike, and I met for dinner before the show and had some excellent sushi and steak. I had three pieces of salmon sashimi and it was delicious. I also stole some of Jen’s french fries because I am a stinker who enjoys getting in touch with his Irish heritage by eating all things potato based. The fries were (and I am not overstating this in the slightest) spectactular.

When dinner was wrapping up, Bellana went off to meet Sarah and Adam and we all converged on Madison Square Garden. It wasn’t until after we got inside that things started getting weird.

The tickets we bought were in section 328. Section 328 however, isn’t an actual section. I don’t know what the hell it is. I think it’s a press box of some sort. There were two rows, separated by a stairway, and the seats were folding chairs up against a sort of desk with monitor screens under a glass table with a glass partition-like thing sticking up in front of it. We would have had to look over the glass and down to our left to see the stage. 

Those seats would have been fine and we would have been able to stand with no one behind us complaining. It just felt odd. The situation, however, was about to get even weirder.

Bellana and Sarah and Adam went off to find a merch table while the rest of us stayed in our press-box-ish seats. I should mention that we only had six tickets and Adam was going to sit by himself somewhere else, down in the 200 level. As the rest of us were discussing the weirdness of our seats am MSG staff member approached us. He told us he had a number of seats that had not been sold (why?) and he offered to upgrade us.

Upgrade us? The fuck? I have never even heard of someone getting a ticket upgrade at a concert before. I mean… huh? Are we interested in seats in the 100 level? Well, seven hells yes we’re interested! He handed us six tickets, four together and two a row behind, and walked away. Kevin summed it up best when he said, “did we just manifest this?” He then grabbed the guy and asked if we could get one more ticket so Adam could sit with us. That’s when Bellana and Sarah and Adam came back to join us and told us that a different staff member had approached them with upgraded tickets too! What the hell is going on here? 

We tried but were unable to get seven upgraded seats, but we did manage to get six together. Adam took one of their upgrades and the rest of us sat together. Through out the whole first set there was an empty seat next to us so Adam joined us during the intermission only to have the owner of the missing seat show up during the second set. Oops. We were all standing though so we all just stayed there like nothing weird was happening.

Ticket upgrades? At a supposedly sold out arena concert? Who knew?

Okay then… how was the show?

It was fucking amazing.

It was absolutely awesome.

Geddy Lee’s bass playing was his normal level of amazing. He really sounded like someone who never stopped playing over the last 11 years. The really impressive thing was his voice though. In some of the last tours before retirement he was struggling at times. His notoriously high voice was not as high as it used to be, as is normal for human beings as they get older, and there were things that he just couldn’t do. Sure, the band adjusted the keys to steal him a few extra notes but there will still times where he sounded like he was haing a rough time. Last night though there was none of that. He has mentioned that once they seriously starting playing again he worked with a voice couch to try and recover some of his range and apparently it worked because he was in the best vocal form I’ve heard since probably the early 90’s. It was so impressive.

As for Alex Lifeson’s guitar playing, he did have some issues. I am a guitar player and he is one of my absolute guitar playing heroes so I may have been more sensitive to everything he did than the normal obsessive Rush fan would be, but I did hear some struggles. I believe he has arthritis in his hands and there were definite signs of pain. I saw him shaking his hands out in between songs a couple of times like he was trying to loosen them up a little. There were a few times where he was going in for the kill on a solo and his hands just weren’t responding and he didn’t quite get there. There were other times where he did though, and hold shit were those moments amazing. The intro to La Villa Strangiato stands out as an example where he was jaw droppingly amazing. The end of the 2112 Grand Finale too. I was in awe. Amaze Amaze Amaze. I would say that the struggles represented maybe 2–3% of the show. The rest of the time he was absofuckinglutely perfect. 

As for the new folks, we’ll start with keyboardist Loren Gold. We were joking before the show that he probably doesn’t have a lot to do as Geddy is still playing quite a bit of keyboards. I think he was handing all of the sampled sounds that the whole band used to trigger throughout the show, and there were times when I heard keys playing that were not there on the studio records. That was cool. The big thing I noticed was that as Geddy was playing the keyboard solo in Subdivisions, he was playing it as well. I couldn’t hear any doubling but I could see that they were both doing the same things with their hands. Spoiler alert, I will have to pay attention to that at the next show we go to. Loren was also singing harmonies all through the show. That was really cool.

Now… for the topic everyone wants to know about, how did Anika Nilles do? Neil Peart is the greatest rock drummer the planet has ever known. Filling his role in the band is literally an impossible challenge for any drummer alive. Having said that, Anika toured with Jeff Beck. Look through Beck’s long, illustrious career and look at the drummers he worked with. Every single one of them is unbelievably incredible. She fits in with that crowd perfectly. She is absolutely equal to this challenge. Without question. She was amazing. She was astounding. She was astonishing. I need to rethink my hierarchy of the world’s greatest drummers in a post-Neil Peart world. I was pretty convinced that the top spot went to Gavin Harrison of Porcupine Tree, The Pineapple Thief, and King Crimson fame, but now? Now I am not so sure. I think my favorite parts of the entire show were the moments where she did something different than Neil. The moments where she took a piece of Rush music and made it her own. Those moments were incredible. To say I was impressed is a massive understatement. 

The show was incredible. The show was amazing. The show was an absolute joy. How incredible? Incredible enough that Jen and I bought tickets to the November 1st show at Mohegan Sun casino in Connecticut. We’re also trying to see if we can work any other show dates into our schedule. It was that good.

Now for some photos…

And there we have it. My 26th Rush concert. The first since 2015. 

To quote Rocky from Project Hail Mary, amaze amaze amaze!