Tag: metal

Paul Di’Anno

We got some sad news from the land of British Heavy Metal from the 1980’s. Paul Di’Anno passed away.

Paul Di’Anno was the original singer in Iron Maiden. Well… original? Not sure, but he’s the singer on their first two records and their original demo and all that good stuff. He was either fired or quit or maybe a little bit of both in about 1982 or so, I think. He was replaced by Bruce Dickinson who quickly became a legend and the band exploded in a huge way after he was gone. I’ve heard the story from a bunch of different vantage points and they all are different enough that I don’t really know what happened. All I know is they were pretty big before he left and huge after.

Di’Anno was in a slew of bands after leaving Maiden. None of them were anywhere near as big, but he seems to have pretty much always been working. I think there was some jail time in his past somewhere too, and in recent years he had a bunch of health issues. He seemed to reconnect with some of his old band mates in recent years and everyone seemed happy to be in touch with him again.

At this point I will do what I always do when a public figure dies. I will make it all about me. Sorry for the narcissism.

I first heard Iron Maiden when I was in Junior High School. In seventh grade our bus driver, at the request of one of the eighth graders, would play The Number of the Beast album during our bus rides. He only ever played side two and we only ever heard the title song and Run to the Hills, but he played the cassette almost every day. It wasn’t for me. Ironically, it was Bruce Dickinson’s voice that really turned me off. I eventually came around, but at that time I was not digging the New Wave of British Heavy Metal. Sorry.

Fast forward to my senior year in high school. All of my friends… all of them (I think)… were Maiden fans. I was the odd man out. Once in a while someone would force me to listen to something, and it was the then-current release, Seventh Son of a Seventh Son, that almost brought me into the fold. It’s basically a prog-rock record disguised as metal. It wasn’t bad. I didn’t hate it, but as with Number of the Beast, it just wasn’t for me. Close, but not quite.

Not long after that, my soon to be college roommate Larry took one more shot. He told me that the very first Iron Maiden record had a different singer and the sound was much more raw. He put the album on and that was it. It was less grand and (dare I say it) operatic and more… punk? I think the band used to get pissed when people said they were punk-ish, but that’s what I was hearing… and that’s what I was liking. What sold me on that album was two things, really. The lack of production value (ironic since I was about to go to college to study audio engineering) and the singer. Paul Di’Anno. Bruce Dickinson is better in literally every measurable way, but I will go to the end of my days preferring Paul Di’Anno. It’s not you, Bruce, it’s me.

I devoured that first album. Then I checked out the second album, Killers. The production values went way up and the energy changed. I really liked it, but not in the same way as the first album. I found a copy of the Maiden Japan live ep and that was better. The rawness was back. I ate those three records alive for a while and eventually I started opening my tiny little brain up to some of the post-Paul Di’Anno stuff and by then I was ready to give in to it and Maiden became one of my favorite bands.

Their run of releases up to 1990 was unbeatable. I saw them for the first time in 1990, which was unfortunately when the wheels were sort of falling off the bus a little. I saw them again in 2000 when they were very much finding themselves again. I saw them a third time in 2019, a few months before the pandemic arrived, and while they are senior citizens now, they still have it. Whatever IT is, they still have it. I am going to see them for a fourth time next month. I’m looking forward to it.

And it is all thanks to Paul Di’Anno’s performance on that first album. That’s what opened the door for me. That’s what opened my brain.

Paul Di’Anno has passed away at the age of 66. Rest in Peace. Thanks for the music. Thanks for the energy. Thanks for the grrrrrrrrrrr. Most appreciated.

Two Rush Items to Note

I have two things I want to comment on that refer to members of Rush.

First, I watched the second episode of Are Bass Players Human Too this morning before work. It focused on Robert Trujillo of Metallica. I knew nothing about this guy as I’m not much of a metal fan, never mind a Metallica fan. I saw them in 1989 when Jason Newsted was their bass player. I guess Robert Trujillo played for Ozzy Osbourne back in the 90’s. I saw Ozzy in the 90’s but Geezer Butler was playing bass at that time. I guess I sort of missed him twice then? Not really.

Anyway, Robert Trujillo is the current owner of Jaco Pastorius’ Fender Jazz bass. The one he ripped the frets out of to turn it into a fretless bass (but what did he put into the gaps? How did that work?). Watching Geddy Lee play Jaco’s bass, even if just for a few seconds, was something that I did not realize I needed in my life. It was a quietly magical moment.

On a side note, Metallica’s bass player owns Jaco Pastorius’ bass, which to many is the holy grail of electric bass guitars, and Metallica’s guitar player, Kirk Hammett, owns Peter Green/Gary Moore’s 1959 Gibson Les Paul Standard, which to many (including me*) is the holy grail of electric guitars. How did that happen? Does Metallica’s drummer own Keith Moon’s kit or anything? That would be too weird for my tiny brain to process.

Anyway, on to Alex Lifeson. I mentioned yesterday that Lerxst has released an overdrive pedal. It’s called By Tor. The first write up I read said that it had two channels that shared drive and tone controls. I don’t think that’s the case. I think one channel is just a volume boost and only has a level control. The other channel is an overdrive which has level, gain, and tone controls. That makes more sense.

Check out this demo from (the youtube legend) Andy from Reverb. I started watching this last night but had to shut it off before I finished. I’m posting it here so that I won’t forget to watch the rest of it later tonight.

*Peter Green’s Les Paul is probably my definition of The Guitar Holy Grail. The only guitar that might challenge for that tile would be Eric Clapton’s 1960 Les Paul Standard that is generally known as The Beano Burst. It was stolen in 1966 and has never resurfaced. I’m sure it’s out there somewhere, but unless some collector gives it back to Clapton we will probably never see it again. The reason it might not supersede Greeny is simply that I prefer the spec of a 1959 Les Paul Standard to the spec of a 1960. The neck is supposed to be thicker on 1959’s. By that logic I would probably prefer 1958’s to 1959’s as the neck is supposed to be even thicker on 1958’s. How’s that for cork sniffing? A little too much, maybe? Nope. It’s never too much.