15 Watts of Yes, Please!

Picked up my new stay-at-home amplifier today. A Fender Bassbreaker 15. First impression? Yes, Mr Amplifier, may I have some more?

Here is a quick video of me noodling around each of the three gain stages. Honestly, I will probably keep it clean (although it doesn’t get all that clean) and use pedals for the dirt and fuzz, but I sure like what the dirtier settings have to offer.

(also, one of these little noodles is probably going to show up in my RPM music at some point. It is February after all)

Fender

I seriously want a new Fender amplifier.  I’d need to get one with a wattage comparable to my Marshall.  A Deluxe Reverb would be cool but the output is way lower than what I have.  The Twin Reverb would be perfect.  It’s a 2×12 combo and a higher output.  Even better, it’s all tube!

I just don’t wanna shell out $1500.

   
   

I Over Did It

I got home from some errands at about 2:00ish today. I went downstairs and took out my Fender. I changed the strings, then noodled around a little. I then played through a bunch of songs that the band has been working on. I hit most of them twice. At 4:00 I stopped and cooked dinner. After dinner I went to band practice. At some point, a little after 7:00, I hit the wall. My left hand stopped working for a little while. I couldn’t get my ring and pinkie fingers to do what I wanted them to do. They just cramped up and told me to go screw. We took five and after that I was better, but the communication between the brain and each hand was off for the rest of the practice. I felt seriously uncoordinated.

That, my friends, is why musicians practice. It’s not just to learn their parts. It is also to build up stamina. There is a tipping point where your skill level disappears. Back in 2005 I could play four 45 minute sets over four hours and not break down. There was a time in the early 90’s where I could probably play for 10 hours or more without a break and not lose it. Today? I probably crash after 45-60 minutes if I’m lucky. I must practice more. I must.

So how did the Strat do tonight? The single coil pickups didn’t make nearly as much noise as I feared they would. They also didn’t feedback. My amp was on the floor. I think if I had it on a stand, a couple of feet higher, it would have been easier. All in all though, the sound of the new guitar was very… stratty. Thin and brittle, like Strats often are. When it comes right down to it, I think the ES-335 is still my guitar. Next practice I’ll bring the Les Paul Custom and see how that feels. It does seem though, that I am still a Gibson man through and through.

The Final Pre-50/90 Song

A little mini-suite. I had my 10 songs underway for my June album in a month project and like a doofus I threw together an extra song at the last minute, and made it three songs in one. (I then added two more, because I’m dumb).

Mostly this was an excuse to add an acoustic guitar (my Takamine 12-string) and a Gibson electric (ES 335 Pro) to a project that had been 100% Stratocaster to that point.

One night recently my two step kids and I all had a really difficult time falling asleep. That lead to some anxiety among the kids who thought that the inability to sleep was a sign that there was something wrong with them. I reassured them that it happens to all of us once in a while and that they should just relax, and then I wrote a song about not being able to sleep because of nightmares. I am a lyrical hypocrite. Accept it, I have.


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Here is the iOS mix.

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June Music is now as done as done can be. It’s 11:45pm on July 3rd. 50/90 officially starts in 15 minutes. I, however, will wait until morning because I am exhausted.

G’Night everyone!

Recording

I did a little recording tonight. I put the rhythm guitar onto one of the two songs that were still guitar free, and I put the leads onto two songs that are now finished and ready to iOS mix.

My playing is poor. Very poor. It’s only been a couple of weeks or so since last I played and tonight it was just difficult. I wonder if I took out the Les Paul would I have an easier time.

I also have an urge to write an extra song this month and make it proggy and long as opposed to the bluesier, acidy feel for most of this month’s crap.

We shall see, but I can almost see a GarageBand for iOS file with some 12-string tracks. Almost. Again, we shall see.

Overdoing It

I’ve got three songs left to finish. Almost there. I might even have time on Tuesday morning to finish up the vocals. Nice, right?

Well…

I felt like playing the guitar today and I didn’t have any parts to record so I… Well… I added another song. Urgh.

Even worse, it’s a cover. Urgh indeed.

Question for guitarists and guitar playing aficionados. When you think of Fender Stratocasters, who do you think of? Jimi Hendrix, post 1970 Eric Clapton, Jeff Beck, Stevie Ray Vaughn, Ritchie Blackmore, David Gilmour, about 100 others. All good choices.

Me? Despite a lifetime of being obsessed with both Clapton and Beck, to me the first name that comes to mind when I think of Strats is Robin Trower. Not the biggest name, and probably not the best player, but something about his style always spoke to me. There is soul, there is passion, there is class, there is fire. Lots of slow bends, legato phrasing, well… Just a lot of things I have always tried to do. The difference being that he does it all while I futz around like a wannabe.

Back in high school I had heard of him without ever actually hearing him. One night I listened to a recording of a Procol Harem concert on the King Biscuit Flower Hour. The host was singing Trower’s praises and rightly so. The guitar playing in the show was fantastic. First chance I got I went out and bought a couple of records. BLT and Bridge of Sighs. I didn’t find out until later that despite the commentary, it wasn’t actually Robin Trower playing in that Procol Harem show. That was okay though, Bridge of Sighs won me over big time.

There is a song on his first record that I’ve always loved. “I Can’t Wait Much Longer.” Great song. Back in high school I tried to get my band to play it, but no one else was feeling it the way I was. The first time I ever borrowed a 4-track recorder I recorded that song. I used the cheesy little drum sounds on my dinky little Casio keyboard. It was basically the same goofiness I’ve been boring the universe with lately, it just didn’t sound as clean.

Anyway, I recorded a cover of “I Can’t Wait Much Longer” today. It’s all done except for the vocals. Once I bought a Strat it was pretty much inevitable. The whole thing is on my iPad right now. After I finish the vocal I’ll port it to the MacBook. I’ll have to clean up a little bass here and there, but other than that I’ll just mix it as is.

I’ll leave it until the last three March songs are done though.

Maybe.