There is No Excuse for Clipping

Now I know how Rush must have felt when they got the first mix of Vapor Trails…

It’s a good thing these are just demos and not a real attempt at doing anything… real.

So the vocals… the clipping… the distortion. No excuse. It’s spoiled the entire song for me.

This is the second of two songs that I recorded in their entirety using GarageBand for iPhone. My ability to get a good vocal take on an iOS device is iffy at best, but I was just all over the place with my iPhone today.

Tonight, when I did the iOS mix of this one the vocals sounded bad, but they always sound bad, you know? They were worse than most of the songs I’ve done this month, but it wasn’t the end of the world.

Then I ported the file to the Mac and I could actually see the waveforms. Uh oh. Then I actually played the track. Oh damn, what a mess.

Sorry about that.


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As soon as I heard how distorted the vocal tracks were I listened back to the iOS mix to see how bad it sounded there. Now that I knew what I was looking for, yeah it’s there. It just doesn’t seem quite as insultingly awful on the first mix.


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I suppose I could go back and rerecord, but June ends on Monday and it’s a kid weekend. I don’t have time to do any more vocal recording. I’m stuck with this, unless I want to fix it next month. I won’t want to fix it next month though. The best this can hope for is that I rerecord the entire song from scratch at some future date.

The First Mac Mix

Duck and cover kids, here come the Mac Mixes.

This that song that I couldn’t play the riff for, yet again. While working on the Mac I reserve the right to change the drum sounds and the bass sounds, and to change all the signal processing on the guitars and vocals. Also, I reserve the right to replace the drum parts with the GarageBand Drummer function, although I didn’t do that on this song.

I did change the drum sound and the bass sound, although I just ended up using the Mac version of the same bass sound I used on the iPad. They are close to the same, but the Mac version just sounded a little fatter. The only change I made to the guitar was to swap the panning. The rhythm guitar is doubled with each one panned most of the way to either left or right. One of the tracks used the neck pick up on the Strat, the other used the middle pick up. On the iPad version the neck pick up was to the left. On the Mac version it is to the right. For the vocals I changed the preset and the EQ. I also added compression to the drums, the bass, and both vocal tracks, and to the full mix. Just a little on the mix.

Here is the new mix…

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For comparison, here is the iPad mix (again)…

Slight Musical Change in Plans

The plan for June was 10 songs with all of the guitar parts played on the Strat.

That will still happen, but…

There will be two additional songs. One is a three part suite type thing. It uses my lovely Takamine 12-string and my magical Gibson ES 335. The other song is all 12-string right now, but it’ll probably get some Strat later.

Here’s to musically biting off more than you can chew! 50/90 is two weeks away!

Recording

I did a little recording tonight. I put the rhythm guitar onto one of the two songs that were still guitar free, and I put the leads onto two songs that are now finished and ready to iOS mix.

My playing is poor. Very poor. It’s only been a couple of weeks or so since last I played and tonight it was just difficult. I wonder if I took out the Les Paul would I have an easier time.

I also have an urge to write an extra song this month and make it proggy and long as opposed to the bluesier, acidy feel for most of this month’s crap.

We shall see, but I can almost see a GarageBand for iOS file with some 12-string tracks. Almost. Again, we shall see.

June Music Lull

Well the June Tunes have definitely slowed down over the past week. There are 10 plus the one May left over. Three total are finished but only the iPad mixes at this point. I hope to make good progress in the next couple of days.

Until then, want to hear something? How about the goofy May left over?

Wasn’t that fun? Of the 11 songs, three are 12-bars because that’s the mood I’m in. Wait… Is it three or four? I can’t remember.

Want another?

Fun, eh? Everything is still 100% iOS. How about one more for the road? This is the first song I’ve ever recorded entirely on a telephone. There will be another soon, but for now this is it.

I’m writing this post using the WordPress app on my iPad. Here’s hoping the audio tags work, eh?

That’s three songs down. Eight more to go, and then I remix ’em all. Hooray for bad music!

A GarageBand First

I said I was going to do all of the recording this month using GarageBand on my iPad. That’s mostly correct.

I just finished doing something that I’d never done before. I have a song that is recorded 100% on my iPhone. Drums and bass are GarageBand MIDI tracks. There are also two tracks of guitar, the Strat, and three tracks of vocals.

It’s rough, but everything this month is rough. I’m just glad I was able to sneak in a vocal today before this SOB of a cold ruins what little voice I have.

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My Eyes Play Better Than My Hands

Have you heard the expression, “my eyes are bigger than my stomach”? Meaning I put more food on my plate than I could actually eat? I have coined a guitar playing version of that statement. My eyes play better than my hands. Let me explain.

I am up to seven songs this month. Three of them were written in the dead of night using the built in instrument sounds in the iPad version of Garageband. Today I replaced the fake, software guitar parts with an actual real live guitar. On one song I was almost forced to stick with the crappy fake software. I came up with a funky little riff that was standing out above most of the others in my little head. I thought it was pretty snazzy. When I tried to play it today I couldn’t. It was beyond my abilities at this time. I’ve no doubt that back in 1995 of 2004 I could have nailed the sucker over and over again, but today? With my playing chops as weak as they are? Nope. I couldn’t do it.

I did find a work around though. It was in two parts. First, and most importantly, I practiced the little bastard over and over again for almost an hour. Over and over again. I got to the point where I could play it, but I couldn’t quite play it cleanly four times in a row as the song required. That’s where the second work around came in. It is a huge cheat. An epic cheat. A cheat for all ages. It’s also standard practice in a recording environment. I played the riff once then stopped. I then started the recording on the second measure of the phrase and played it again. I repeated until I had the whole thing comped together. I now have a complete recording of the entire phrase that is, while not perfect, good enough for my needs.

Am I a cheater? Oh you bet your sweet ass I am. In this respect, me and everyone else on the planet.

Overdoing It

I’ve got three songs left to finish. Almost there. I might even have time on Tuesday morning to finish up the vocals. Nice, right?

Well…

I felt like playing the guitar today and I didn’t have any parts to record so I… Well… I added another song. Urgh.

Even worse, it’s a cover. Urgh indeed.

Question for guitarists and guitar playing aficionados. When you think of Fender Stratocasters, who do you think of? Jimi Hendrix, post 1970 Eric Clapton, Jeff Beck, Stevie Ray Vaughn, Ritchie Blackmore, David Gilmour, about 100 others. All good choices.

Me? Despite a lifetime of being obsessed with both Clapton and Beck, to me the first name that comes to mind when I think of Strats is Robin Trower. Not the biggest name, and probably not the best player, but something about his style always spoke to me. There is soul, there is passion, there is class, there is fire. Lots of slow bends, legato phrasing, well… Just a lot of things I have always tried to do. The difference being that he does it all while I futz around like a wannabe.

Back in high school I had heard of him without ever actually hearing him. One night I listened to a recording of a Procol Harem concert on the King Biscuit Flower Hour. The host was singing Trower’s praises and rightly so. The guitar playing in the show was fantastic. First chance I got I went out and bought a couple of records. BLT and Bridge of Sighs. I didn’t find out until later that despite the commentary, it wasn’t actually Robin Trower playing in that Procol Harem show. That was okay though, Bridge of Sighs won me over big time.

There is a song on his first record that I’ve always loved. “I Can’t Wait Much Longer.” Great song. Back in high school I tried to get my band to play it, but no one else was feeling it the way I was. The first time I ever borrowed a 4-track recorder I recorded that song. I used the cheesy little drum sounds on my dinky little Casio keyboard. It was basically the same goofiness I’ve been boring the universe with lately, it just didn’t sound as clean.

Anyway, I recorded a cover of “I Can’t Wait Much Longer” today. It’s all done except for the vocals. Once I bought a Strat it was pretty much inevitable. The whole thing is on my iPad right now. After I finish the vocal I’ll port it to the MacBook. I’ll have to clean up a little bass here and there, but other than that I’ll just mix it as is.

I’ll leave it until the last three March songs are done though.

Maybe.