The pedals are for the stay-at-home/back up rig. The amp is more fluid. My 26 year old Fender Stage amp is dying a slow and painful death. That is one of the reasons I haven’t been recording much lately. It’s just not working all that well, and when it does work it is not very reliable. So I was definitely in the market for a new amplifier. I’ve been dying for a Fender Twin Reverb forever. Back in high school, the music department had a silver face Twin and that has always been my standard for clean tones. It was beat to hell and probably died a fiery death, but it was great. The problem is, the Fender reissue Twin Reverb is amazingly expensive. I could never justify throwing out that much money.

This week I started looking at the smallest of the reissue tube amps, the Princeton Reverb. It seemed like a smart way to go for a leave-at-home amp, but even that was seriously expensive. I started thinking about worst case scenarios though. If my Marshall should die, the Princeton would not really be a powerful enough replacement. The Twin would definitely work, but that damn price.

So I compromised I went with the Deluxe Reverb. It’s big enough to handle most of the places the band could possibly play, and it’s still small enough that it wouldn’t blow out the windows in the cellar if I wind it up while playing at home recording.

Now I just need to find some time to actually plug the bad boy in and play with it!

Happy New Pedal/New Tube Amp Day!